第二部分：聚焦式文本叙事-----反聚焦式文本解读。
The second part: Focusing narrative text—Anti-focusing text reading.
本文认为，报纸新闻叙事分为新闻文本叙事和新闻版面叙事。
The author thought that newspaper narrative could be divided into manuscript narrating and layout narrating.
女性小说文本叙事话语的对话性是女性文学与叙事话语的契合。
The dialogism of discourse of textual narration in the female novels is the combination of female literature wi th narrative discourse.
第三章从经典美学中的悲剧意识出发，试图寻找出动画艺术文本叙事范式的审美张力与思维深度的支撑点。
The third chapter in the tragic sense of classical aesthetics, tries to find out the animation art aesthetic paradigm Narrative tension and depth of support points of thinking.
尽管，张炜小说中的思辩色彩和个人情愫的表达似乎消弱了文本叙事的能力，但研究发现，这是张炜创作的另一个重要意义——诗性批判的色彩。
For all, in Zhang's fictions, there are many thought contest and personal emotion, it maybe abates the capability of text narrative, but we can find another point----poetic critique.
所以前先知书是叙事性文本。
超文本网络没有掌控叙事的核心，其间所有事物好像都不分主次，处处显得大同小异，这个空间仿佛是乏味杂乱的区域。
Without the centering hold of a narrative, everything in a hypertext network seems to have equal weight and appears to be the same wherever you go, as if the space were a suburban sprawl.
女性写作的文本在主流话语社会中是独特的，所表现出来的叙事、意识更是独特的。
The text of female writing is unique in the mainstream discourse society. The narration and consciousness it shows are also unique.
现代作家在其各自的都市小说中以各自的叙事和言说方式赋予文本以各自的都市想象和文化记忆。
The modern writers endue the text different city imagines and cultural memory in their city novels by their own way of narration and speech.
通过深刻的文本分析，笔者探讨了电视谈话节目作为一种特殊时空中的叙事，其叙事功能、叙事情境、叙事时间是如何呈现的。
Through textual analysis, we pointed out how the functions, Settings and time of narration were shown on TV, as TV talk show is a kind of special and spatiotemporal narration.
本课程探究的是，当叙事文本从印刷时代走入数位时代时，所具有的非序列性、多轴线、与互动形式的特质。
This course explores the properties of non-sequential, multi-linear, and interactive forms of narratives as they have evolved from print to digital media.
其小说文本的命名、叙事结构、语言转换、人物形象与风土背景等均具有文化隐喻内涵。
The naming and the narrative structure of his fictional texts , the language transition , the characters , and the customs of Taiwan as background in the texts , were all provided with connotations.
在叙事学中，叙事情境主要用来阐明叙事文本中叙述者与故事之间的种种复杂关系。
In narratology, "narrative context" is used to clarify the complicated relations between relater and story in the narrative text.
数字叙事只能在计算机环境下存在和体验，主要表现为互动小说、超文本小说、虚拟现实叙事以及具有叙事性的电子游戏。
Digital narrative can only exist and be experienced in computer environment, covering interactive fiction, hypertext fiction, virtual reality narrative, and computer games with certain narrativity.
叙事上的首尾交接使文本就像一个闭合的圆圈，并且它可以循环滚动，使故事不断增殖，无穷无尽。
The narrative text looks like a closed circle because the beginning is connected with the end, and the circle can roll and cycle which multiplicates the story continually.
一部叙事文本就是由“叙述语”和“转述语”构成的。
A narrative text is constituted by "narrative phraseology" and "transferred narrative words".
本文用一个新的准绳把它们组合在一起，企图探索这些引起极大关注的华文影视文本中的“中国叙事”。
The texts are put together in a new way, with an attempt to delve into the Chinese narration in them.
书面叙事文本的物质层面与话语意义层面分别表征不同的时空。
The physical layer and the discourse meaning layer of a written narrative text define different space time dimensions.
这种电视剧常用的文本策略主要有三种：亮点挖掘、感性重构和叙事移位。
There are three major narrative strategies used in this kind of TV plays: mining themes, emotional reconstruction of the history and narrative time shift.
当把纪录片看作一种文本存在时，纪录片的叙事学研究就浮出水面。
However, when documentaries appear as text existences, research in terms of Narratology seems to be necessary and valuable.
二者的分歧在于文本之叙事动力问题。
The differences between the two lies in the narrative power of a text.
从叙事学角度出发，将纪录片作为文本进行研究，无论是对纪录片的创作理念还是接受意识，都将提供一种新的思考角度，开辟一片新的视野。
Fresh idea and new landscape would be offered by research taken documentaries as texts in terms of Narratology, both to documentary workers and to their audience.
文章是从两文本的表层结构和深层结构入手，对其叙事内容的同构性进行分析。
This article attempts to analyze their similar structure of narration content from their surface structure and deep structure.
本文在引入叙事学的基础上，借用其理论框架研究纪录片的文本构成和叙事现象。
Based on Narratological theories and structure, text composing and narrative phenomenon of documentaries are conferred.
本文借助女性主义叙事学的性别叙事理论，结合文本叙述形态与叙述者的性别身份，主要对“霸王别姬”故事中虞姬的身份建构历程进行分析。
Referring to the gender narration theory and combining with text narrative patterns and the gender of the tellers, the paper analyzes the gender and its construction course of Yuji in the stories.
从荒诞叙事的文本层面、故事层面、话语层面对荒诞叙事进行剖析，并归纳出荒诞叙事的特征。
It analyses absurd narration on the level of text, plot, and discourse, and then summarizes the features of absurd narration.
语言哲学对命题与判断主体之间的语法关系所作的研究提示我们，在虚构叙事文本中，潜在于第三人称叙述句子之外的第一人称主体“我”不止一个。
The relation between a sentence and it's teller, which studied by the philosophy of language, revealed us that in fictional narrative there are subjects outside the sentence.
语言哲学对命题与判断主体之间的语法关系所作的研究提示我们，在虚构叙事文本中，潜在于第三人称叙述句子之外的第一人称主体“我”不止一个。
The relation between a sentence and it's teller, which studied by the philosophy of language, revealed us that in fictional narrative there are subjects outside the sentence.
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