对语言不及物本性的体认，构成了当代文学一种新的文学经验和理论范式。
Writers'identification with the intransitive value of language has constituted a literary experience and a theoretical model in the contemporary Chinese literature.
文学批评是联接并双向转换文学理论与文学经验的枢纽，也是评估文学理论危机的基本尺度。
Literary criticism connects literary theory and experience as it is not only the hinge between them but also the essential measurement to evaluate the crisis of literary theory.
而就它们的非中国性问题和非文学性局限予以关注，则是积累自己的文学经验、增强建设意识的重要内容。
But as far as their limitations of the problems of non-China and non-literature are concerned , it is to accumulate own literature experience and enhance important content of construction sense.
吉尔伯特和古芭在对十九世纪女性作家的研究中，修正了布鲁姆以男性为中心的研究模式，以期引起对后辈女性作家之文学经验的重视。
In their study of nineteenth-century women writers, Gilbert and Gubar revised Bloom's male-centered model to take into account the experience of literary daughters.
如果这个作品企图在叙述文学的花边纸上展现整个经验的时候，那种关系就是有害的。
That relationship is bad when the work aims to give the whole experience in the lace-paper of an explanatory literature.
巴恩斯无疑是英语文学情感战场中经验丰富的资深老兵，并且数次在这个战场上留下深深的足迹。
Barnes, it goes without saying, is a much-decorated veteran of English literature's emotional battlefields, one who has covered this terrain many times before.
文学的经验主义研究方法，对我们所概括的事物的简单数据观察，对文学理论的普遍控诉中，他们免除了这些。
So empirical approaches to literature, the simple observation of data from which one can generalize -they exempt these from the general charge against literary theory.
银行业从科学中借鉴经验的历史由来已久，例如天文学家埃德蒙·哈维在17世纪就为人寿保险业编制了死亡率表格。
Banking has a long history of borrowing ideas from science - astronomer Edmund Halley was constructing mortality tables for the life assurance industry back in the 17th Century.
梅洁的文学创作和她童年经验的关系值得我们研究。
The relationship between Meijie's literary creation and her childhood experience is worth investigating.
传统的西方文学以男性文本和男性经验为中心，女性常被塑造成天使或魔鬼。
The traditional western literature centered around male text and experience, in which women were often characterized as either angel or devil.
童年经验对梅洁的文学创作具有重要意义。
The childhood experience has great significance to Meijie's literary creation.
在阅读文学作品之前和阅读过程之中，中学生原初的审美能力、阅读经验和阅读动机反映、投射在大脑上的心理图式称为阅读期待。
It means a psychological diagram in the mind reflected and cast by Ss' original aesthetic ability, reading experience and reading motive before and during reading the literary works.
母语化是对中国传统审美经验作充分的借鉴和吸收，以激活汉语言在文学表达上的诗性和灵性。
Having made a sufficient reference to traditional Chinese aesthetical experience, Vernacularizing tends to stir up the poetry characteristic and liveliness of Chinese language in literary expression.
然而，有一件事上火车，每个人似乎都有共同之处：一个想要夺回失去的年龄和生活，甚至被文学想象的经验。
However, there is one thing that everyone aboard the train seems to have in common: a desire to somehow recapture a lost age and to live an experience that has caught even the literary imagination.
到了读者反应文论家那里，文学意义只等同于读者阅读中的经验和感受以及对自身身份的发现和确认。
When it comes to reader-response critics, literary meaning is equal to the reader's experience in reading or the discovery and confirmation of his identity theme.
余论部分在中西交流的当代语境中观照本案例，总结冯至的经验对当代的文学接受和创作的指导意义。
Conclusion part acesses it according to the contemporary linguistic contexts of the intercourse between Chinese and Western country, and the experience carrying out guidance to the present age.
菲律宾华文文学中的异族想象，是那些生活在菲律宾的华人，对于自身异地生存经验的一种表述与描绘。
The image of the other in Philippine Overseas Chinese literature is one kind of expression and description of living experience, for those Chinese who lived in Philippine.
通过梳理老舍所受到的京戏的熏陶和他的戏剧文学阅读经验，把握他对戏剧的感性认识。
Read experience through combing edifying of Lao She Beijing Opera received and his drama literature, hold his perceptual knowledge to the drama.
第二、三章具体化和审美经验是文学的艺术作品认识论的核心内容。
Chapter two, three, concretization and aesthetic experience are main subjects of epistemenology of the literary work of art.
熟悉的恍惚的经验，使之流畅的节奏和图案说明一个最佳悲歌英文文学。
The familiar trance-like experience, mellifluous rhythm and pictorial descriptions make it one of the best elegies in English literature.
其次它无法像文学那样给人以感官的享受，也不能像史学那样为人提供生活的经验和教训。
Secondly, philosophy fails to promise people a sensual enjoyment which literature can, nor is she able to offer any experience and lessons of life like history does.
由三个层次构成：女性经验和妇女写作，人物和作家之间的一致和分歧，她们对于妇女文学的贡献。
It consists of three parts: Female Experience and Woman Writing, Consonance and Dissonance between the Characters and Writers, and Their Contribution to Women's Literature.
梅洁在文学创作的动因、艺术题材的选择及创作个性的建构等方面都受到童年经验潜在的规范和制约。
It has latent influence on such important aspects of Meijie's creation as motives of literature creation, selection of literature materials and construction of literary personality.
都市、都市经验、日本新感觉的影响对新感觉派的都市文学抒写决定意义；
The influence of urban environment, urban experience and the New Sensation-oriented writers of Japan played a key role on urban literature.
批评家普遍认为，“自白”文学是一种暴露真实生活经验的文学表达，强调文学对现实生活的写真和模仿。
Confessional literature is widely read as revelation of authentic experience of life and as mimesis of external reality.
即便从事文物研究他也不忘用经验来评论当时的文学。
He never forgot to comment on the literary through experience even if he took on heritage research.
在许多领域(音乐、文学)，精英们需要二三十年的经验才能到达他们的顶峰。
In many fields (music, literature) elite performers need 20 or 30 years' experience before hitting their zenith.
威廉斯文化唯物主义对我们当代的文化研究、对分析和研究传统文学与文化经验等都具有借鉴意义。
Williams 'cultural materialism to our culture studies, analyse and research on the literary tradition will has a cultural experience learn.
威廉斯文化唯物主义对我们当代的文化研究、对分析和研究传统文学与文化经验等都具有借鉴意义。
Williams 'cultural materialism to our culture studies, analyse and research on the literary tradition will has a cultural experience learn.
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