第一章文学本体论。
还有从系统或综合的角度或文学本体论的高度来探讨本质问题的。
Others explored the literary essence from the systematic or comprehensive perspectives or from the height of literature itself.
关于兰色姆的文学本体论，国内也有相关的研究成就成果，但是缺乏一定的系统性。
There has been some domestic research achievements on Ransom's ontology but they are somewhat systematically deficient.
从而确证了“文学是人学”的命题，从最深层的意义来理解，可以认为是文学本体论的命题。
From the understanding of deepest level, it may be considered that the subject is the literary ontology.
文学本体论运用了现象学哲学的还原方法，文学认识论则基于现象学哲学的意向性建构原理。
Literary ontology employs phenomenological reduction, while literary cognition is based on the principle of intentional construction of phenomenological philosophy.
中国的比较文学研究，应首先着眼于外国文学在中国的本土化过程，然后寻求中外文学相融的可能性，最终回归文学本体论。
Comparative literature study in China should firstly focus on Sinologization of foreign literature, and then seek the chance of melting with foreign literature, and finally g...
元代文论家从哲学高度对文学本体论进行了深入的探讨，形成了文学本于“理”和本于“气”两种文学本体论，这成为考察元代文学思潮不可回避的一个既复杂又重要的问题。
The literary critic of the Yuan Dynasty made a good research on literary ontology from fhe point of philosophy and formed two literary ontologies on the basis of "Li" and "Qi".
本论文着重从本体论的角度来审视文学作品中的“怀旧”意识以及它在文本中所形成的“怀旧之美”或“怀旧”风格。
This thesis is about to examine the consciousness of "Nostalgia" and its aesthetic style in the literary texts from the opinion of philosophical ontology.
随着对于文学特殊规律性的认同，文学的本体论意义也开始进入人们的视界。
As the increasing agreement on the special meaning of literature, the significance of the literature ontology is coming into people's vision.
它不仅是文学的，更是本体论的。
本文着重从哲学本体论的角度来审视文学作品中的“怀旧”意识以及它在文学文本中的呈现。
This thesis is about to examine the consciousness of "Nostalgia" and its aesthetic expressions in the literary texts from the opinion of philosophical ontology.
本体论是对于文学本体的反省，这种反省又必须在总括的文学概念和具体的文体概念两个层面展开。
Ontology is the self-reflection for literary noumenon, which should expand from two parts, omnibus literature conception and idiographic style conception.
本文所言之匮乏是就生存本体论而言，由此打破现有的有关文学消亡的种种迷思。
This insufficiency is just in terms of the theory of survival substance, and thus breaks the confusion about the withering of literature.
文论史上的文学语言观可归纳为三大类，即载体论、本体论和客体论。
The theories about literary language can be put into three categories: the vehicle notion, the entity notion, and the object notion.
关于文学雅与俗的内蕴已有不少阐释，但都是离开本体论去谈雅与俗，给人一种隔靴搔痒的遗憾。
Although there have been lots of interpretations on the elegance and vulgarness of literature, the author considers them just criticisms on the surface without gasping the essence.
关于文学雅与俗的内蕴已有不少阐释，但都是离开本体论去谈雅与俗，给人一种隔靴搔痒的遗憾。
Although there have been lots of interpretations on the elegance and vulgarness of literature, the author considers them just criticisms on the surface without gasping the essence.
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