“文学文本”是文学实践活动的对象，体现着一种主客体关系状态。
Literary text is not only an object of literary activities, but also shows a subject-object relation.
文论史上的文学语言观可归纳为三大类，即载体论、本体论和客体论。
The theories about literary language can be put into three categories: the vehicle notion, the entity notion, and the object notion.
“假想的读者”的不同等级，体现了文学活动主客体之间不同的虚拟性关系。
Different level of imaginary reader embodies the different imaginary relation between subject and object in literature activities.
其中前两个因素为文学体制化形成的外部客体因素，后两个因素为文学体制化形成的内部主体因素。
First two factors, for the system external object factor taking shape of literature among them, the last two factors, for the system inside subject factor taking shape of literature.
从创作客体的民间化倾向来看，作为文学创作源泉的社会生活发生了翻天覆地的变化，作品的题材和主题就相应的产生了巨大的变革。
Seeing the folk tendency of creative object, the life changed greatly, which is the source of the creation, so the theme and subject matter changed accordingly.
经研究发现民间文学艺术作品，是知识产权制度的一类特殊客体，其应当受到法律保护。
After the research discovery folk literature art work, is an intellectual property system's kind of special object, its must receive the legal protection.
女性形象一直是艺术家的创作灵感和表现客体，军旅题材小说中的女军人形象研究是一个十分具有研究价值的文学题材。
Image of women has been the artist's creative inspiration and performance of the object, the military theme of the novel image of women in the study is a very literary themes with research value.
幼儿文学教育认识论倾向的主要缺陷在于强调主客体二元对立和知识中心主义取向。
The major shortcomings of the theory of knowledge applied in preschool literature education lie in the emphasis on the conflict of subject and object, and the emphasis on the importance of knowledge.
文学理论主体与客体的区分，是认识文学理论活动的一个前提。
Suitable understanding of the difference between the subject and object of literary theory is the prerequisite to realize literary principles.
首先，尽管民间文学艺术表达与传统知识产权客体有着一定共通性，但其差异也是十分明显的。
Firstly, although between expressions of folklore and the tradition intellectual property rights object, there are certain compatibility, but its difference is also very obvious.
文学作品中模糊语言的使用可以使文学艺术穿越审美主体和审美客体，从而扩大艺术空间，获得审美情感。
Owing to the incorporation of fuzzy language, literary art can transcend aesthetic object as well as aesthetic subject; thereby enlarge the artistic space, and obtain aesthetic feeling.
文学文本分析的实质就是着重强调文学文本客体的能动性，但是文学文本分析不是一种纯粹的客体或语言分析，它并未与主体或文学文本外的客观世界隔绝。
Analysis of text emphasizes the initiative of the object. It is not a pure analysis of object and language, and is not separated from the subject and the external world.
这一批评观在注重翻译文学的语言学和语文学特征的基础上，为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
在法律上对传统工艺美术及相邻客体区分保护，是修订《著作权法》和制定民间文学艺术保护办法不能回避的问题。
To differentiate and protect the traditional arts and crafts and their related art forms is an important issue in revising Copyright law and making the law to protect folk arts.
在法律上对传统工艺美术及相邻客体区分保护，是修订《著作权法》和制定民间文学艺术保护办法不能回避的问题。
To differentiate and protect the traditional arts and crafts and their related art forms is an important issue in revising Copyright law and making the law to protect folk arts.
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