托尔金在创作《魔戒》时回归到英国文学的最初传统，在一个虚构的世界中讲述善与恶两大阵营进行对抗的神话故事。
In fact, when Tolkien wrote this tremendous work, he returned to the tradition of British literature, namely the myth form.
善与恶的人格在文学叙述中并不总是泾滑分明。
It is not always clear who are the good and evil characters in the narrative.
清末与五四时期的旧派小说写作出现明显的滥恶倾向，引起新文学家的强烈批评。
In the Late Qing and May-Fourth Movement periods, an obvious tendency of over-evil in the old school novels appeared, which aroused the fierce attacks from the New Literature critics.
精神与物质、善与恶、光明与黑暗等对立现象在19 - 20世纪的许多文学作品里都有不同程度的表现。
The antithetic phenomenon between spirit and material, good and evil as well as brightness and darkness are embodied in different degrees in many works in the 19-20th centuries.
精神与物质、善与恶、光明与黑暗等对立现象在19 - 20世纪的许多文学作品里都有不同程度的表现。
The antithetic phenomenon between spirit and material, good and evil as well as brightness and darkness are embodied in different degrees in many works in the 19-20th centuries.
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