那位作家以生动的文体而驰名。
戏剧是现代女作家再现女性生存状态、披露女人男人之间复杂关系的最具威慑力的一种文体。
Drama is the most powerful style by which the modern women writers can represent the female exiting state, expose the complex relations between woman and man.
作为一位多产的作家，纳博科夫被广泛的认为是二十世纪美国杰出的文体家。
As a prolific writer, Nabokov is widely accepted as one of the outstanding literary stylists of the twentieth century.
同时，她那带有诗意的笔致、抒情的句子和回旋的情感，同样证明她是中国现代文学史上最有文体意识的作家之一。
Her poetic tone, lyrical sentences and hovering emotions, also mark herself as one of the modern Chinese writers who owned a keen sense of literary style.
有些作家文体晦涩难懂。
在文体选择上，报人作家选择的是普通大众所能接受的文学样式，不走纯文学的路子。
In the literary style choice, the reporter writers choose the literature styles which are the ordinary populace can accept, does not choose the pure literature pathway.
“文体选择”与“抒情策略”同属于怎么写的问题，都是作家主体选择的结果。
The choice of style and lyric strategies are both questions belonging to "how to write", and they both originate in the writer's choosing.
小说的叙述风格和结构方式也呈现了作家对此前小说文体的某些超越。
To a certain extent the fiction's narrative style and structure surpass the writer's early works.
由来已久的跨文体写作，在跨越数千年的文体学史上始终未能成为作家普遍的追求。
For thousands of years of the stylistic history, long-standing cross-style writing has never become a universal pursuit for writers.
它体现在作家对文体的沿袭与创造“、过来人”的叙事角度以及独特的语言追求三个方面。
It is embodied in three aspects: the inheritance and creation of style, the narrative Angle of an experienced person and the refined pursuit of prose language.
批评家更偏爱那些具有语言个性风格和文体探索意识的作家。
Many critics had a preference for the writers who had the personal style in language and the sense of exploration of style.
新文学作家的散文观念与文体实践，标志着现代散文文体意识的觉醒。
The view of prose and practice of writing style of the new writers marked the awareness of modern prose style.
只有事情发生了，才能说有效-因为你不仅是个作家，你还是个人，一个有责任心的人。所以，我从不写纪实性文体，如果事情没有发生。
They served a purpose only in that things happened - because you are not only a writer, you're a human being, with responsibilities.
侦探小说这一特殊文体始于1841年美国作家爱伦。坡《莫格街谋杀案》的发表。
Detective story as a specific genre can be traced back to the publication of Edgar Allan Poe's the Murders in the Rue Morgue in 1841.
当代“文化大散文”代表作家之一李存葆是个文体意识很强的作家，他对散文文体作了多方面的探索。
Li Cunbao, one of the key contemporary prose writers, is sensitive to the styles and also explores many aspects of the prose style.
郁达夫对抒情小说文体的开创，是特定社会客观环境和作家主动探索的产物。
Yu Dafu s creation of lyric novel is the production with the objective influence of special social environment and the subjective exploration of the author.
作家善用游记与小说的交相缠绕，于旅人移动及场景转换上产生超越文体特质的艺术效果。
Writers tend to weave novel story lines into their travel writings, creating an artistic effect that transcends the literary form itself via traveler movement and scenery change.
20世纪中国报告文学成为文坛主流文体的辉煌，与报告文学作家奉行的文体意识密切相关。
The splendor of reportage, one of the main - stream genres of 20th century Chinese literature, is closely related to the sense of genre pursued by the reportage writers.
二首先，通过分析自传与小说的文体差异并根据对文学真实与生活真实的差异性的理解界定女作家的创作不是自传而是小说。
The second part discuss the difference of literature style and the understanding of reality to define that their work were rather novels than autobiography.
作家往往是在写非小说文体，尤其是散文或演讲的时候用这种方法。
Writers practice argument most often when writing nonfiction, particularly essays or speeches.
本文引进学者杂文的文体概念来概括联大作家群杂文创作的一般特色。
As discussed by the author, scholar essays can sttill be seen a.
其散文体式多样，内容丰赡，涉及面广，思想深刻，有一定的社会意义，是北宋散文的代表作家之一。
As one of the most outstanding writers of the North Song Dynasty, his prose writing are of great varieties, rich contents, wide range of involvement, profound ideas and great social significances.
本文借助文体学的相关理论 ，在宏观上从两个方面分析当代美国剧作家大卫·迈梅特的戏剧《游戏之屋》的戏剧语言运用技巧与风格 ，揭示当代戏剧语言日趋口语化、生活化的特点。
This paper will discuss how David Mamet employs dramatic language in his famous drama House of Games, and concludes that modern dramatic dialogue is more and more oralized and naturalized.
本文借助文体学的相关理论 ，在宏观上从两个方面分析当代美国剧作家大卫·迈梅特的戏剧《游戏之屋》的戏剧语言运用技巧与风格 ，揭示当代戏剧语言日趋口语化、生活化的特点。
This paper will discuss how David Mamet employs dramatic language in his famous drama House of Games, and concludes that modern dramatic dialogue is more and more oralized and naturalized.
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