翻译批评的各要素如批评主体、批评形式、批评对象等都需要重新审视。
The main elements in translation criticism, such as subjects, objects and ways of criticism, should be reconsidered carefully.
电影批评的总体规律表现为主客体的对应、历史原则与现实原则的统一以及批评主体的动态结构。
The general rules of cinematics critique show that the parallelism of subjectivity and objectivity, unification of historical and real principles and dynamic structure of crit...
以自由和理性为美学批评的思维基点,是由文学批评对象、文学批评主体和文学批评本身等因素决定的。
Since it is determined by such factors as target, subject, and literary criticism itself, we regard reason and freedom as its basic starting point.
这包括批评家主体精神的退位和作家主体精神的退位这两方面。
This includes the disappearance of critic subject spirit and the disappearance of writer's subject spirit.
这种话语是通过对传统主体观的批评来实现的。
The discourse was realized by the criticisms of the traditional subject.
以女性文学批评为视点,作者分析了剧中的女性形象,发现女性主体性的残缺才是导致女性悲剧命运不可或缺的因素。
From viewpoint of feminist literary criticism, the author analyses women's images in these dramas, and finds fragmentary subjectivity is inevasible factor that causes women's miserably fate.
“命名”研究的重要性在于,它可以帮助我们更准确地把握文学活动中“主体”、“批评”、“历史”与“言说”的复杂关系。
The significance of the study of "naming" lies in that it enables us to grasp more accurately the complicated relationship between the "subject", "criticism", "history" and "speaking" in literature.
所谓效果史,即历史地描述以普通读者为主体的读者群体对作家作品的反应批评。
Effect history is the historical description of response and criticism of the reader-groups, which mainly consist of the common readers.
其三是《知音》篇中提出了较为完整的诗歌批评鉴定理论,对诗歌鉴赏的主体和客体诸方面因素作了细致的分析;
Thirdly, it puts forward comparatively comprehensive poetic criticism and appreciation theory, giving meticulous analysis of various elements concerning poem appreciation of subject and object.
第三部分从文艺创作、文艺批评、创作主体人格修养三方面展示其当代美学意义及价值。
The third part demonstrates its significance and value of contemporary aesthetics from the literary and artistic creation, literary and art criticism, creative accomplishment of the main character.
表现在文学创作和文学批评中,存在着妇女观与女性文学形象、男性霸权主体话语与女性反叛形象话语的双重悖反。
His literature creation and literature comments express much double paradox about female viewpoint and female literature images, male hegemony principal words and female critical visual words.
我们认为在翻译研究与批评中,译者的主体性地位应该受到重视。
And we hold a view that we should attach more importance to translator's subjectivity in translation study and criticism.
史学批评具有主体性与当代性的特点。
It holds that historical criticism has the characteristics of subjectivism and modernism.
这一批评观在注重翻译文学的语言学和语文学特征的基础上,为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
“自然”批评论,高扬艺术创作主体自由的心境,对中国古典意境理论、艺术风格论和各艺术门类都产生巨大的影响。
The critical idea of "nature" sings highly of the free mood of the artist influencing Chinese classical art, artistic style and all types of arts.
当代文学批评的文化身份就是文学批评在各种充满差异性的文化思潮和理论实践中所呈现出来的主体文化意识。
The culture identity of the contemporary literary criticism is its cultural feature which appeared in culture current and theories' practice.
在小说创作中,小说家通常把写作重心放在对参战主体(即男性士兵)的刻画上;文学批评家们通常集中研究的对象也是男性人物而非女性形象。
Those fictionists usually focus on the portrayal of male soldiers, who are the majority in wars and critics also center their research on the male characters instead of woman images.
“自然”批评论,高扬艺术创作主体自由的心境,对中国古典意境理论、艺术风格论和各艺术门类都产生巨大的影响。
The critical idea of "nature" sings highly of the free mood of the artist influencing Chinese classical art, artistic style and…
“自然”批评论,高扬艺术创作主体自由的心境,对中国古典意境理论、艺术风格论和各艺术门类都产生巨大的影响。
The critical idea of "nature" sings highly of the free mood of the artist influencing Chinese classical art, artistic style and…
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