我给了他我的两张照片。
仪式中，神父让我在棺木上面放两张照片，一张是我父亲的，一张是吉尔伯特1944年拍的，两张照片放在一个框内。
During the service, the priest asked me to place on the coffin a photo of my father and one of Gilbert from 1944 together in one frame.
我还记得在这之后的两张照片。
我添加了两个背景，在白色和空白与此两张照片，照片是我的玻璃很容易看到的是实际的阴影，在那里是白色的光芒。
I took a photo of my glass on two backgrounds, on white and blank, with this two photos is easy to see where is actual shadows and where is white glow.
后来对这两张照片进行比较，我就能够算出这头犀牛的肩高。
Comparing the two photographs later, I could calculate the shoulder height of the rhino.
以上照片反映出真实的色泽。以下这张没有做到。我刻意把这两张照片都放在这里﹐以此来说明给这件精美工艺品摄影是多么的困难。
The above photo show the true color. The one immediately below does not. But both are here to show the extreme difficulty in photographing this stunning art work.
实际上这幅图我是公开展示过的-，我跟我的同事去了挪威-，其实我还有两张照片。
I actually showed this diagram — I went to Norway with my colleague — I actually have a couple more pictures here.
我想你们已经全知道这两张照片的联系了。
I think you all already know the connection between the two pics.
这是我女儿的两张照片。
蒋：对的，我只是把这两张照片制作出来了，一张很大，一张比较小，是展览中常见的方式。
Jiang: Yes, I just produced these two photos, one is big while the other is small, which is popular form in exhibitions.
我贴了两张照片以便显示出它的不同颜色。
I had to attach two photos to show some of the different colors that it goes through.
两张照片的不同在于拍摄时设置的不同，我使用的更低的快门速度和更大的光圈，因此我几乎增加了3级的环境光的曝光，因此我的照片看起来更好一些。
This difference is due to our camera Settings. I used a much slower shutter speed, and a slightly wider f-stop. With this, I allowed nearly 3 stops MORE ambient light in. And it shows.
这两张照片是我在中国一间酒店拍的。
这两张照片是我在中国一间酒店拍的。
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