本文从多学科的视角分析歌仔戏唱腔音乐，以期更客观地认识、把握歌仔戏这一特殊戏曲剧种音乐的创腔规律。
The thesis analyzes the music of Gezi Opera using the multi-subjects viewing Angle, and aims to understand and grasp the law of Gezi Opera's music more objectively.
戏曲音乐中的唱腔与伴奏，彼此相辅相成，相得益彰，既对立又统一地构成了戏曲音乐的主体。
Singing and accompaniment in drama music supplement and complement each other and they make up the main body of drama music.
它同样从其它戏曲和音乐艺术中吸取了音乐和唱腔，比如历史上著名的秦腔，同时也受了在宫廷艺术方面领先于它的昆曲的影响。
It also absorbed music and arias from other operas and musical arts such as the historic Qinqiang as well as being very strongly influenced by Kunqu, the form that preceded it as court art.
有不少新的地方戏曲剧种，就是从各路皮影戏唱腔中派生出来的。
There are many new local operas derived from the various singing style of Shadow Plays.
本文通过研究怀梆唱腔音乐、演唱特点、流派、影响唱腔音乐的重要辅助元素及其发展前景，对这一富有地方特色的戏曲艺术进行较深入探析。
From analysising the Music for voices, the extemportize method, genre, some importment things which can influence the Music for voices, and development in future.
本文通过研究怀梆唱腔音乐、演唱特点、流派、影响唱腔音乐的重要辅助元素及其发展前景，对这一富有地方特色的戏曲艺术进行较深入探析。
From analysising the Music for voices, the extemportize method, genre, some importment things which can influence the Music for voices, and development in future.
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