这些表里因素的融合，铸就了两人既有独特民族文化背景，又有明显趋同性的悲剧观念。
The fusion of these outside and inside factors shapes their tragedy idea that has their own unique national culture background as well as high convergence.
对于中国现代悲剧观念的较全面研究，是随着七十年代末八十年代初的悲剧讨论慢慢展开的。
The entire research about Chinese modern view of tragedy began with the debate of tragedy in the 70s and 80s of the last century.
在简要介绍两位作家和两部剧作之后，论文首先比较了剧作中流露出的两位剧作家的悲剧观念的异同。
After a brief introduction to the playwrights and the plays, the dissertation compares firstly the tragic views reflected in the two plays.
路遥笔下的爱情悲剧体现出作家传统的婚爱观念：对传统爱情的留恋与理性告别，对现代爱情的本能排斥与痛苦接受。
Love tragedy in Lu Yao s works manifests its tradition idea of the marriage: reluctanting to part with traditional love and farewell helpless, repeling to the modern love and accepting paining.
姜浩的悲剧告诉我们，父母的观念对子女的影响是极其巨大的，错误的观点、态度和做法很可能会毁掉孩子的一生。
Jianghao's tragedy tells us that the influence of parents' life concepts on their children is extremely huge; erroneous views, attitudes and practices are likely to destroy a child's life.
她们的弱点是不切实际，高估自己的力量，没能彻底抛弃世俗观念，这些都导致了她们走向悲剧。
Their tragedies are due to their unpracticalness. overestimation of their own power and their inability to abandon conventions completely.
他无法替他的道德观念，提供任何的基础。 他也无法写出他的悲剧的诗；
He could not provide his moral ideas with any foundation, nor could he write his tragic poem;
哈代作品的悲剧意识是哈代研究中一直被关注的焦点。 而哈代作为处于新旧时代交界线上的作家，其创作必然受到现代意识、现代观念的影响。
The tragic consciousness in Hardy's works has been a focus in the study of Hardy, which was influenced by the modern consciousness and ideas.
悲剧的道德观念又是通过目的性和反目的性的矛盾冲突实现的，从而奠定了黑格尔悲剧冲突理论的基础。
The moral concept of tragedy is realized in contradictory conflicts of different aims, which is the foundation for Hegel's tragedy conflict theory.
在此影响下成长的安东尼亚在一定程度上表现出对父权观念的顺从，这种顺从导致了她的爱情悲剧。
Growing up under such influence, Antonia shows her submission to the patriarchal ideas to some degree, which leads to her love tragedy.
哈代认同古希腊悲剧的命运观念吗？
Did Thomas Hardy and Greek Tragedians Share the Same Notion of Fate?
西方悲剧更加突出命运观念，以至于几乎淹没了其中的道德感，可以称之为命运悲剧；
Western classical tragedies are usually known as tragedies of fate, because they emphasize particulatly on the fate, and they hardly relate to morals.
咏叹调的这些风格特征反映了正歌剧传达悲剧精神，表达情感的戏剧观念。
The most important function of arias in opera seria is not to figure a role but to express emotion.
咏叹调的这些风格特征反映了正歌剧传达悲剧精神，表达情感的戏剧观念。
The most important function of arias in opera seria is not to figure a role but to express emotion.
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