史蒂文斯虽然懂得悲剧，却是个喜剧诗人和一个关注、保护与赞颂人类的人文主义者。
Stevens understands tragedy, but he is a comic poet, a humanist who is concerned to preserve and exalt the human.
柯切说：“我们就在公园里的散步道上聊起了喜剧文本和悲剧文本，然后又谈到《李尔王》和《傲慢与偏见》。”
"So here we are, out on the promenade in the park, talking about the difference between the comic text and the tragic text, and about king Lear and Pride and Prejudice," Kitcher says.
如我辈，生命中注定一种悲剧的因子，往往不能满足与喜剧的浮浅，而醉心于悲剧的震撼。
If my generation, a tragic fate factors students often can not meet with the comedy of the superficial, and obsessed with the shock of the tragedy.
威尔逊先生认为，“老莎”的观点基本是正确的：人生就是喜剧与悲剧。
Wilson thought old Will had it about right: life is comedy and tragedy.
这种思想的影响，使得现代主义文学对悲剧的内容进行喜剧化的处理，从而形成了与传统幽默大相径庭的黑色幽默。
Modernist literature has optimized tragic content under the influence of Freud's theory, hence giving rise to the black humor, which is drastically different from traditional humor.
喜剧与悲剧的差异乃是视点之差异，不是题材之差异。
The difference between comedy and tragedy is one of viewpoints, not of subject.
作为一种特殊的戏剧种类，传奇剧与悲剧和喜剧既有相似的特征又有明显的区别。
As a special dramatic genre, Romance bears resemblance to both tragedy and comedy while it also has obvious distinctions with them.
称作悲剧的《罗密欧与朱丽叶》事实上并不符合亚理斯多德的悲剧理论，它更象是一部喜剧。
Shakespeare's Romeo and Juliet does not coincide with Aristotle's tragic theo- ries:it is more like a comedy.
第一部分首先梳理老舍小说中主要展示的两种生命类型：悲剧性人物与喜剧性人物。
There are two life styles, the tragic characters and the comic characters, in laoshe's novels.
此外，杨亚洲的影视剧多采用笑中有泪的悲喜剧模式，悲剧性与喜剧性达到高度统一，具有很高的审美价值。
Besides, majority of Yang Yazhou's movie and TV play works adopt tragicomedy mode of smile with tears. They have very high aesthetic value with colour of tragedy and of comedy to the same extent.
作为审美类型的悲剧性与喜剧性，渗透到文学艺术的各个门类和领域，除戏剧艺术外，还表现在美术、音乐、电影、诗歌、小说等多种文艺样式和体裁之中。
As the types of Aesthetic, the tragic style and comic style include not only drama, but also fine arts, music, film, poem, novel, and so on.
与西方的悲剧传统不同，中国戏剧呈现了民俗性的喜剧延伸。
Chinese drama is different from the tradition of Western tragedies because it has a characteristic of presenting a lively and entertaining aspect of life.
那么《罗密欧与朱丽叶》这部悲剧中的喜剧元素市场令我们吃惊：朱丽叶的明显死亡给我们带来的冲击，因接近婚礼准备的喧嚣和小丑与乐师间的对话而更为强烈。
The shock of Juliet's apparent death is heightened by proximity to the cheerful bustle of the wedding preparations and the comic dialogue of clown and musicians.
那么《罗密欧与朱丽叶》这部悲剧中的喜剧元素市场令我们吃惊：朱丽叶的明显死亡给我们带来的冲击，因接近婚礼准备的喧嚣和小丑与乐师间的对话而更为强烈。
The shock of Juliet's apparent death is heightened by proximity to the cheerful bustle of the wedding preparations and the comic dialogue of clown and musicians.
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