视觉对空间全景形象的感知问题，是形体视觉理论的一部分。
The visual perception of space form is part of the theory of form vision.
对视觉形象的感知是主观的，但对视觉形象的评价应尽量的超越主观局限，依照一定的标准和方法可以指导人们对评价对象进行逐步深入的了解，从主观到客观的得出全面的结论。
According to certain standards and methods, people can scan the figure from different points of view, so that people may progressively understand them in-depth, and get the overall conclusion.
包括对环境的视觉感知，在脑海中生成和操纵形象。
Involves visual perception of the environment, the ability to create and manipulate mental images.
商品的形象不是单纯的外观，而是一种可感知、可体验的整体环境。
Image of goods does not mean pure appearances but a perceptible and experiencing whole environment.
再次是局部品析，通过文本语言、形象等的细致分析，在整体感知的基础上，深化理解，准确把握文本的意义。
Is once more partial analyzes, through text language, image and so on careful analysis, in the overall sensation foundation, the deepening understood, accurate assurance text significance.
通过高水平高品位的橱窗展示，实现商品的视觉战略表现，以及让消费者能最大限度的通过橱窗中的展示来感知这个品牌，让品牌形象深入人心。
Through high-level and high-grade window display and visual merchandise strategy, the performance of brand perception as well as the brand image among the consumers can be maximized.
在视觉影响因素的作用下，旅游者对实地感知的城市旅游景观视觉辨别和鉴赏形成了视觉形象感知。
Tourists through visual identification and appreciation of the city tourism landscape on the spot perception, formed the visual image perception under the various visual impact factors.
此外，还探讨了欧美入境游客在商务旅行中对休闲观光需求的差异以及入境游客的目的地形象感知。
In addition, it discussed demand differences of Europe and America tourists on leisure and sightseeing and image perception of inbound tourists to destinations.
本文回顾分析国外地方理论研究进展，从地方依附感的旅游学认知架构与旅游形象建构角度，探讨游客地方依附感的形成与感知意象差异。
This article reviews the basic connotations and progresses of place theory in using the traveling research from abroad, and analyzes the place attachment apply to the research of tourism image.
城市景观概念规划强调塑造可感知的城市环境形象。
The conceptual planning for urban landscape emphasizes the creation of perceptible environmental image for the city.
撒旦所感知的上帝形象与史诗中旁观叙述者所感知的上帝形象大为不同，这种不同正是《失乐园》中叙述艺术精妙之所在。
In the light of narratology, this paper attempts to analyze the image of God in Paradise Lost from the figural perspective of Satan.
它产生于知觉信息被记忆获取的时候，是人们对曾经感知过的事物在头脑中保留并再现出来的形象。
It occurred when perceptual information was accessed from memory, and it was that people reproduced the image coming out to the object which once realized and retained in the brains.
模式识别支持是感知、联想等形象思维的基础；
Pattern recognition being the basis of image thinking such as perceived association is clarified.
名片能够展示持有者的形象，使接受者能够通过名片感知、想象与回忆名片背后的人与物。
It can make the card holders exhibit their figure and the receiver can know, image and remember the people and things behind business card through it.
事实上，死亡形象与死亡的集体感知密切相关。
In fact, the image of death and the death of a collective perception closely related.
艺术的错觉图形不仅是一种视觉感知现象，而且是艺术家或设计师用来分析形象不可或缺的工具。
However, the false visual image of art is not only a visual sensing feature, but also an indispensable tool for analyzing image used by the artist and designer.
从无形到有形，是脸谱意象营构的艺术规律，它把艺术家的审美体验变为可以具体感知的艺术形象。
This is the artistic law of the construction of the image of facial sketch from an invisible appreciation of beauty to a visible image of facial sketch;
“事象”包括各种实物、现象和事件，“事象”是有形象、可观察感知的。
Obnomenon "contains all kinds of objects, phenomena, and events; it is visual, discernible, and perceptible."
“事象”包括各种实物、现象和事件，“事象”是有形象、可观察感知的。
Obnomenon "contains all kinds of objects, phenomena, and events; it is visual, discernible, and perceptible."
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