关于海顿音乐作品的研究，人们更多地关注其交响乐、弦乐四重奏，而钢琴奏鸣曲的研究却显得有些薄弱。
About Haydn music work research, people more paid attention to symphony and string quartet, but research on piano sonata actually appears somewhat weakly.
贝多芬在这段充满烦恼的晚年时期写出了代表他天才顶峰的最后五部伟大的钢琴奏鸣曲、《第九交响曲》和后期的弦乐四重奏。
The last five great piano sonatas, the Ninth Symphony and the later string quartets represent the climax of Beethoven's genius during this troubled later period.
在他的格罗西协奏曲，特别是他进行杰米尼亚尼的造型后，老作曲家的奏鸣曲管弦乐协奏曲技术。
In his Concerti Grossi, in particular, he carried on Geminiani's technique of modeling orchestral concertos after sonatas by older composers.
伯格曼自己把这种创作方法比作巴赫的大提琴奏鸣曲：“它们可以用弦乐的方式演奏，也可以合奏，用吉他、风琴和钢琴也都可以。”
Bergman himself was to liken the method to the format of Bach's harpsichord sonatas: "They can be played by string quartets, wind ensembles, on the guitar, organ or piano."
伯格曼自己把这种创作方法比作巴赫的大提琴奏鸣曲：“它们可以用弦乐的方式演奏，也可以合奏，用吉他、风琴和钢琴也都可以。”
Bergman himself was to liken the method to the format of Bach's harpsichord sonatas: "They can be played by string quartets, wind ensembles, on the guitar, organ or piano."
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