而元末明初的市民文学呈现出审美上由雅趋俗、创作上由俗变雅的特征；
But between Yuan and Ming dynasties literature has shown the public the aesthetic trend of the secular by the elegant, creative and elegant by the secular change characteristics of;
所以，我从这三部小说入手，首先研究元代的市民文学精神，再研究元末明初的市民文学。
So, I start with these three novels, the first literary study of the public spirit of the Yuan Dynasty, second, study members of the public literature between Yuan and Ming dynasties.
关于明代的市民文学，本文持论如下：流传于城市中，满足广大市民的文化需求与娱乐享受；
As to citizen literature in Ming dynasty, this article hold the following points: it is popular in the city: it. can satisfy the citizen's demands in literature and enjoyment of entertainment;
在20世纪中国市民文学的文本世界中，展示的是一个俗人的世界，一部演绎一个世纪的俗人求生存的“活着”的历史。
The 20th centurys Chinese citizen literature showed a laymen s world and a living history where laymen sought survival.
对于2 0世纪中国市民文学的创作主体来说，消解崇高，以俗为本，成为他们的一种基本的文化价值取向和叙事立场。
To defy the lofty and returen to the worldly is a basic cultural value orientation and narrative standpoint for the 20th century major writers of the Chinese urban literature.
在市民文学的文本世界之中，普遍呈现出精英与平民、高贵与平贱、雅与俗、理想与实在的二元对立，这种二元对立成为许多市民小说的叙事结构中心。
A lot of citizen novels commonly showed the dualistic opposition between elite and common people, noble and poor, refined and vulgar, ideal and practical.
在市民文学的文本世界之中，普遍呈现出精英与平民、高贵与平贱、雅与俗、理想与实在的二元对立，这种二元对立成为许多市民小说的叙事结构中心。
A lot of citizen novels commonly showed the dualistic opposition between elite and common people, noble and poor, refined and vulgar, ideal and practical.
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