日常生活叙事作为一种“小叙事”，是以个体的日常生活为主要内容的叙事形态。
The daily life narration, which is seen as mini-narration, is based on the daily lives of individuals.
这是我的第一部电影，我能看出整个画面中的每一个错误和每一处小瑕疵，但我仍然欣赏它叙事的方式。
It was my first film, and I see every mistake, every hang-nail in the whole picture, but I still appreciate it as a piece of story telling.
由于叙事速度的缓慢和叙事疏密度小，形成小说中舒缓的叙事节奏，这和湘西人民的生活方式相符。
The low speed in narrating results in the slow rhythm of Shen's works, which is in accordence with the life style in Xiangxi.
我放弃了写叙事诗，而写了这个小故事。
洛奇的校园小说《换位》、《小世界》和《美好的工作》均存在两条平行开展的叙事线索，也即“二元结构”，这种结构方式的利用有利于表现其作品的文化冲突主题。
The realization of Binary Structures in David Lodges trilogy Changing Places, Small World and Nice Work vividly reveals culture conflicts, one of the most important themes in his works.
《豆棚闲话》的叙事中存有两个空间：一个是“私人空间”，即下层小群体认同的讲说故事空间；
The narration of "Doupeng Rambling Talk" last each space: One public space of " individual take ", namely lower floor that small colony admit to is it tell stories space to say;
这个严肃（或译：紧张刺激）的小故事特别引人入胜的地方是，他（作家）颠覆了传统推理小说叙事的方法，屏弃了以旁观者来阐述整件事情来龙去脉的方式。
What is particularly interesting about this grim little story is the way that he subverts the convention that the narrator of a story tells the whole truth about the events he is recounting.
印度古典梵剧《小泥车》具有明显的叙事性：编剧方面追求叙事性与戏剧性的平衡；
The Indian classical Sanskrit drama, The Little Muddy Vehicle , is characterized by the art of narrating. The dramatist kept a balance between narrative and dramatics;
《季节变幻》和《小情人》的导演科姆吉•崔维莫（Komgrit Triwimol）曾说：“泰国电影的魅力在于它的叙事方式。
Thai director Komgrit Triwimol who directed Season Change and My Girl once said: "The magic of Thai films lies in the way they tell a story."
《季节变幻》和《小情人》的导演科姆吉•崔维莫（Komgrit Triwimol）曾说：“泰国电影的魅力在于它的叙事方式。
Thai director Komgrit Triwimol who directed Season Change and My Girl once said: "The magic of Thai films lies in the way they tell a story."
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