在接下来的文章中我只想指出它们在人类的智慧积极地参与到对美的认识和表现的领域中所引起的问题。
In the following pages I only wish to point out the confusion they now cause in those fields in which the talents of man take an active part in the recognition and presentation of beauty.
虽然我们生活在一个对身体和容貌苛求完美的文化环境里面，但是大多数美国人对他们自己的形态和面容还是有一个相对现实的认识-他们接受自己的雀斑、身体上某些部位比较肥胖等缺点。
Despite living in a culture obsessed with physical flawlessness, most people in the U.S. have a relatively realistic perception of their own form and face-blemishes, bulges and all.
韦丹塔意味着终极的知识。除非人到达认识奎师那这一阶段，否则知识永远是不完美的。保持奎师那知觉才是对韦丹塔的真正理解。
Vedanta means ultimate knowledge. Knowledge is never perfect unless one comes to the point of understanding Krishna. To remain in Krishna Consciousness is actual understanding of Vedanta.
作为一种对美的事物的感性直观达到对其理性内涵把握的心理活动方式，审美观照应被用于对历史的认识。
As a form of the psychological activity of understanding the beauty from a perceptual stage to a rational one, aesthetic outlook should be applied to historical cognition.
本文从亲情美、人情美、爱情美的角度综合分析《边城》的人性美，意在提高我们对人性的认识。
This paper analyses the humanity beauty of Remote City from the angles of family, friendliness and love, which can raise our awareness of humanity.
由于对原文的质朴简洁缺乏认识以及没能正确使用本国语言，译者使用了不少不符合汉语习惯用法的冗词赘语，以致无法传达出原文优美的语言特征。
Fang Ping loses himself in verbiage which does not tally with the Chinese usage, so that he fails to convey the simple and graceful language characteristic of the original.
时代不同，生活经历不同，对美的理解也不同，但人们都从美的认识中找到自我。
Regardless of time and era, one's life experience of the appreciation of beauty always brings greater understanding of one's self.
科学认识是真、善、美的统一，我们对自然科学理论的评价，应当坚持真理评价、价值评价和美学评价的统一。
Science cognition is the unity of the true, the good and the beautiful. The evaluation over natural science theory should be based on the unity of evaluation of truth, value and aesthetics.
它之所以如此的辉煌，是与古人对山水画自然美的认识及其理论是分不开的。
Its brilliant achievements resulted from ancient Chinese painters' knowledge of the natural beauty and the theory in this aspect.
它之所以如此的辉煌，是与古人对山水画自然美的认识及其理论是分不开的。
Its brilliant achievements resulted from ancient Chinese painters' knowledge of the natural beauty and the theory in this aspect.
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