对于摄影，故事活在光影中。
同在这一次旅行，我发现了我对于摄影新闻工作的热情。
On the same trip, I discovered my passion for photojournalism.
我对于摄影者与被摄者之间的关系感到非常有兴趣。
I am very interested in the relationship between the photographer and the models.
让我们面对这个事实吧，对于摄影来说，背着三脚架并不总是件轻松的事。
Let's face the facts; lugging a tripod isn't always a fun way to take pictures.
对于摄影师来说，要想拍到野生动物，特别是稀有的动物是很困难的一件事。
Catching images of wild animals, especially rare ones, can be exceedingly difficult for photographers.
对于摄影两个都不是最佳选择，因JPG比无损耗png小得多，也只是最低程序损失一点画质。
Neither are optimal options for photography, as JPG is much smaller than lossless PNG with only minimal loss of quality.
对于摄影发烧友来说也许是另一回事，但对今天出生的孩子们而言，“胶卷”这个词完全是浮云。
For the purist, perhaps, but for kids born today, the word "film" will mean nothing.
对于摄影师李克拉姆网上画廊，他的个人和商业特色以类似的方式对他自己的身体画廊工作。
The online gallery for photographer Lee Crum, featuring his personal and commercial work in a similar way to his own physical gallery.
真实这个概念对于摄影来说并没有必要过度强调，摄影本来就是最接近真实的再现手段之一。
Truth in photography can be really trivial since it's one of the closest reproductions of reality.
这容易让我们回归对于摄影本身的价值思考——它的瞬间记录所定格的时间意义是不可复制的、不可替代的。
This is easy to let us return to the photography itself, the value of thinking -it's instant record time set by the significance of cell is not copied, can not be replaced.
“对于摄影师而言，摄影方面理想的书籍应该只包含照片，不应有任何文字”，摄影师罗伯特·亚当斯曾经写道。
"For photographers, the ideal book of photographs would contain just pictures - no text at all" photographer Robert Adams once wrote.
这对发型师、化妆师还有服装师非常有好处，因为他们能看到最精确的颜色，对于摄影导演也一样，因为他能看见最精确的照明。
It's great for hair, make-up, and wardrobe, because they can see the exact colors, or for the director of photography, because he can see the exact lighting.
本文通过对当代文化的纷繁的视觉经验和通过对这些图像资料的分析视觉图像对于摄影的表现者与影像的观看者之间的一种所谓落差。
Based on the complexity of the contemporary culture through visual experience and data analysis of these images for the visual image of the behavior and photography watch a so-called gap between.
对于英国和世界各地的摄影师来说，Take a view 都是一项令人渴望的年度大赛。
Take a view is a desirable annual competition for photographers from all comers of the UK and beyond.
对于艺术或者摄影，我懂的也不多，或者说我接触这杂志就像一个偶然不经心的读者，而非那种摆架势要评论的人。
And I don't know much about art or photography, either Given that, I approached the magazine like a casual reader rather than someone setting out to review it.
GIF对于现代摄影或储存图像不是理想的。
对于艾格尔·斯顿来说，这本书刚开始描述的是一种摄影的顿悟。
It begins with a description of what, for Eggleston, was a photographic Epiphany.
但另一方面，镜片震动相对于曝光时间短得可以忽略不计，因此，反光镜锁定对夜间摄影并非必要。
On the other hand, mirror shake is negligible for exposures much longer than this; therefore MLU is not critical for most night photography.
对于沃特金森而言，摄影让他的土木工程师日常工作换了一个场景。
For Watkinson, the shoot is a change of scenery from his everyday job as a civil engineer.
对于2007年的我来说，它和我所了解的关于摄影的一切都是对立的，那时我认为摄影必须是可以看到的，必须是很美的。
This was the antithesis of everything I understood about photography in early 2007 - that it had to be visual, it had to be pretty.
对于想练习摄影的人来说，巴黎简直太棒了！
Paris is a wonderful city to anyone who wishes to practice photography.
重复对于单调的日常生活是令人烦躁的，但在摄影中影响甚巨。
While repetition in the humdrum of daily life can at times be a little boring - capturing it in your photography can create an image with real impact.
对于旅行摄影来说，并不存在什么方法是对的或错的（除了完全的过曝以至于所有东西都变成白茫茫一片）。
There is no right or wrong way to take travel photos (except for completely over exposing everything into whiteness, I suppose).
对于些相片，杰克说：“在起初的照片中，你可以看到他只是在摆造型，但随着摄影的继续，他开始表现出来。”
In the photos, Jack says, "You can see he is just posing, initially, but as the shoot goes on, he starts to come out."
这种发现奇迹的感觉，被另一个摄影师表达出来，对于那些伟大摄影师的作品来说，很有意义。
That sense of wonder, expressed by one photographer for another, speaks volumes about how the work of great photographers impinges on the consciousness of those that follow them.
夜间摄影与白天摄影受到同样条件的约束——即光圈，快门速度，感光度——不过它对于这些参数的控制都要达到极致。
Night photography is subject to the same set of constraints as daylight photography - namely aperture, shutter speed and light sensitivity - although these are all often pushed to their extremes.
夜间摄影与白天摄影受到同样条件的约束——即光圈，快门速度，感光度——不过它对于这些参数的控制都要达到极致。
Night photography is subject to the same set of constraints as daylight photography - namely aperture, shutter speed and light sensitivity - although these are all often pushed to their extremes.
应用推荐