宫廷画家将相聚的情形画下若干张，再分发给参与聚会的每一个人，这幅画就成为了聚会的纪念品。
Like group photographs, multiples of this kind of painting were produced by the court painters and distributed to the participants, who would keep the paintings as honoured memorabilia.
这些壁画是明朝宫廷画士和民间画士精心绘制的，具有很高的艺术水平，历经500年至今，仍然色彩鲜明。
All these murals with very high artistic value and their bright colors still intact even after 500 years up to now were done meticulously by imperial as well as folk painters in the Ming Dynasty.
为了增强透视感，整个房间的视角由画面边界上的两块门板框定，门板上也绘有微型画，都出自几位著名宫廷画家之手。
To enhance the illusion, our view into the room is framed by border panels that bear miniature paintings, all of them done separately by noted court artists in their characteristic styles and signed.
压轴之作是克卢埃的弗朗西斯一世画像，他后来在枫丹白露将达芬奇引入宫廷。
The very last painting is Clouet's portrait of Francis I, who later brought Leonardo to his court at Fontainebleau.
莱昂那多•达•芬奇就是应邀进入其宫廷的几百位画家、雕塑家、建筑师和装饰艺术家之一，甚至据说达•芬奇就是在这位国王的怀抱中逝世的。
Leonardo da Vinci was one among hundreds of painters, sculptors, architects and decorators invited to his court-and is even said to have died in his arms.
山水画和宫廷生活场景被展示在体育场地面上一张巨大的展开的卷轴上，同时音乐家开始演奏传统的中国音乐。
Landscape paintings and scenes of court life were projected on a giant scroll that unfurled on the stadium floor, while musicians performed traditional AIRS.
中国古代绘画包括墓室壁画、宫廷壁画、建筑彩画、崖画、纸质画、绢画等。
Ancient Chinese Painting includes coffin chamber Fresco, palace Fresco, Paper Painting and Juan Painting etc.
本文选择花鸟画做为研究对象，研究在宣德台阁雅集背景下，宫廷花鸟画在明初呈现面貌的原因。
The research tries to investigate, with the influence of the intellectual gathering, what caused the style of the palatial Flower-and-Bird Painting in the early age of Ming Dynasty.
根据史料记载和传世作品分析，笔者以为，林良花鸟画的传统师承有三个主要部分：一是采纳了宫廷绘画中的南宋院体笔法；
According to historical materials and his existing works, this thesis suggests that Lin Liang's flower and bird paintings inherited their style from three major sources.
根据史料记载和传世作品分析，笔者以为，林良花鸟画的传统师承有三个主要部分：一是采纳了宫廷绘画中的南宋院体笔法；
According to historical materials and his existing works, this thesis suggests that Lin Liang's flower and bird paintings inherited their style from three major sources.
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