徽州在中国独特的历史地理位置，使得徽州审美文化研究具有多重意义。
Huizhou's unique location in China's history made the study of aesthetic culture of Huizhou multiple meanings.
现代美学的衰落催生了审美文化研究，审美文化的勃兴又使美学的转型成为可能。
The decline of modern aesthetics leads to the boom of the research about aesthetic culture and this resnlt makes the aesthetics transformation possible.
孔智光教授不仅在美学理论研究与审美文化研究领域中多有建树，在文艺学理论研究领域也取得不少重要成果。
Professor Kong Zhiguang got many important achievements not only in the field of aesthetic theory but also in the field of literary and artistic theory.
一段时期以来，作为当代中国文艺美学研究领域的一个新课题，当代审美文化研究得到了学术界的广泛关注和热烈讨论。
As a new orientation in the field of literature and aesthetic, the contemporary Chinese aesthetic culture has been greatly focused on and heatedly discussed for long.
本文旨在探讨其象征的美学内涵，为进一步研究西部审美文化提供一个新的视角。
This article aimes at probing into its main symbolic aesthetic connotation, and provides a new angle for further studying aesthetic culture of the Western China.
其次，应当关注中国当代审美文化与研究的特点和误区。
Next, must pay attention to the Chinese present age esthetic culture and the research characteristic and the erroneous zone.
审美人类学以全球化背景下，弱小民族和边缘群体的审美文化的变迁和艺术实践活动为研究对象。
Aesthetic anthropology studies, in the background of globalization, the changes of aesthetic culture and art practice in small and weak nations and marginal groups.
这种学术研究的滞后性，直接影响了对流行音乐演唱会这一审美文化现象的深入研究。
The lagging of this kind of academic research, has influenced the further investigation of this aesthetic culture phenomenon of pop concert directly.
现代社会与现代精神是否耗尽，现代审美文化是否终结，成为美学研究者不可回避的问题。
Whether modern society and modern spirit are exhausted, whether modern aesthetic culture comes to its end, these have become unavoidable problems for contemporary researchers in Aesthetics.
研究方向：美学原理，文艺美学，传统审美文化，当代审美文化。
Study direction: esthetics principle, literary esthetics, the traditional aesthetic culture, the contemporary aesthetic culture.
以审美文化为研究切入点可以摆脱中国古代美学研究中道器分流的现状。
Through the study of the aesthetic culture, we can get rid off the bifurcation between Dao and Qi in the study of classical aesthetic culture of China.
对中国摇滚乐三十年流变现象的审美研究具有一定的当下价值，对于其他审美文化领域流变规律的揭示也有一定的参照意义。
It has considerably realistic value of researching on the 30 years' development of Chinese rock music. It is able to reveal the transition law of other aesthetic culture genres as well.
对中国摇滚乐三十年流变现象的审美研究具有一定的当下价值，对于其他审美文化领域流变规律的揭示也有一定的参照意义。
It has considerably realistic value of researching on the 30 years' development of Chinese rock music. It is able to reveal the transition law of other aesthetic culture genres as well.
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