“意境”是宗白华美学思想的核心。
The artistic state of mind is the core of Zong Baihua's aesthetic thoughts.
宗白华美学意蕴无尽，有着巨大的阐释空间。
Zong Baihua's aesthetics is so profound that it admits of many interpretations.
宗白华是中国现代美学、文艺学的奠基人之一。
Zong Baihua is one of the founders of Chinese modern Aesthetics and Theory of Literature and Art.
在二十世纪中国美学史上，宗白华是一面旗帜。
In 20th century China esthetics history, Zong Baihua is a flag.
第二部分主要是梳理宗白华美学思想的中西文化渊源。
I discussed the origin of Zong Baihua 's idea of aesthetics in the second part.
其次，本文将着重讨论宗白华对中国文化精神的美学探索。
Secondly, this paper mainly researches Zong Baihua's aesthetics exploration of Chinese cultural spirit.
宗白华从中吸收了有益的成分，创化出自己的生命本体观。
Zong Baihua absorbed useful elements from them and created his own life ontology.
宗白华毫无疑问是中国现当代美学史上最具个性的美学家之一。
Zong Baihua is undoubtedly one of the most characteristic aestheticians in the history of Chinese modern aesthetics.
宗白华一生深切地关注着生命的存在状态，提出了艺术化的人生观。
Zong Baihua deeply concerned about the existence of life, putting forward the artistic outlook on life.
此外，本文还将探讨宗白华对中国美学的现代转型所做出的积极贡献。
Besides, this paper also discusses Zong Baihua's positive contribution to promote modern transform of Chinese aesthetics.
宗白华数十年如一日，坚持从艺术意境的求索中对传统文化作批判性反思。
Zong Baihua invariably persists in the critical meditation of the traditional culture while pursuing the artistic conception.
本文介绍了《宗白华全集》所失收的一组佚文，并对其刊载出处作了说明。
The article introduced a group of writings which were not collected in Complete Works of Zong Baihua, and did some explanations of where they were published.
宗白华的学术、艺术、人生在“空”观的召引下，呈现出风格独标的魅力。
Zong Baihua's academic, artistic, life show specific charm because of special style under the "sunya" concept.
宗白华对于艺术形式的理论阐释对于今天艺术形式的创造和研究仍具有借鉴意义。
The theory of the artistic form explained by Zong Baihua has still an exemplary significance regarding the creation and the research of artistic form today.
青年时代的宗白华用《流云》小诗的清新勃发来表达自己对少年中国的憧憬和向往。
Zong Baihuai expresses his longing and yearning for juvenile China with a fresh and lively poem of Liu Yun when he was young.
宗白华先生在中国美学史上第一次把审美与艺术的虚实关系提到宇宙观高度作本体论论证。
It is the first in the Chinese aesthetic history that Mr. Zong Bai - hua demonstrated the relationship of "Xu - shi" in aesthetic and art from the point of world view.
写实、传神、妙悟是宗白华先生1945年所作《中国艺术三境界》中对于中国艺术的概括。
In "Three Realms of Chinese art" written by Zong Baihua in 1945, realism, vividness, subtle enlightenment are a summary of Chinese art.
宗白华作为一代美学大师，在其论著中可以清楚地感受到理性把握与感性体验相结合的风格。
Zhong Baihua is a famous aesthetic master. We can feel the style of rational knowledge and perceptual knowledge clearly from his works.
宗白华的“空”是有限性和无限性、瞬时性和永恒性、消解性和融构性、非理性和理性的辩证统一。
The "sunya" of Zong Baihua is limited and finite, instantaneous and eternal, resolvable and financial institutions, rational and non-rational dialectical unity.
宗白华的人生观是艺术化的人生观，这种人生观集中表现为宗白华对人生，生活的审美和美化的态度。
Zongbaihua 's outlook on life is artistical, and it epitomizes the Zongbaihua appreciation of the beauty of life, and the attitude in beautifying.
宗白华认为，在传统美学观念里，艺术作为美的主要对象，各种艺术类型都表现了有节奏的生命动力。
Zong Baihua believed that in the traditional aesthetics conception, art was the main target of aesthetics, a variety of artistic types demonstrates rhythmic life energy.
宗白华生命美学观的独特之处在于，它建立在中国传统生命哲学的基础上并对西方生命哲学加以整合而成。
The special feature of Zong Baihua's life aesthetics theory is th at based on China's traditional life philosophy, and integrated with western life philosophy comes his theory.
自然、艺术、人生是宗白华美学三位一体的观照对象，对个体生命自由的追寻是其美学精神与人生境界的合一。
Nature, art, life are the subjects of trinity that Zong Baihua's Aesthstics observes, and pursuit of individual's freedom of life is the unification of his aesthetic spirit and realm in life.
本文通过仔细分析生命美学产生的时代背景和深刻考察其哲学基础，来仔细挖掘出宗白华生命美学的内涵和意蕴。
Through careful analysis of historical background and a deep study of its philosophical basis, we carefully dig out the Zong's content and meaning of life aesthetics.
宗白华的一生更是以其沉静空灵的主体人格、超世入世的人生态度、自然化艺术化的生存方式而成为审美人生的范型。
Zong Baihua's life is aesthetic paradigm of life because of quiet and spacious subject personality, attitude towards life, survival mode of naturalization and art.
宗白华的生命美学体系是他对西方生命美学思想的批判吸收和对中国古典生命美学思想的新阐述过程中逐渐确立起来的。
Zong's life aesthetic system is based on criticism of Western life aesthetics, and absorption of Chinese classical aesthetics, through which the system is gradually established.
追求艺术化的人生，倡导理想的人生生命状态以及对自然万物的钟爱，成为宗白华美学给予现代人生存启示的源泉所在。
It was the source of enlightening contemporary life to pursue artistic life, advocate the ideal state of life and love nature.
本文以中国气论哲学为背景考察宗白华艺境创造理论的文化哲学基础，以期从一个侧面展示宗白华美学思想的深层底蕴。
This essay studies the cultural and philosophical basis of ZONG Bai - hua's theory on artistic jingjie against the background of qi philosophy, and in the hope of presenting the pre found...
宗白华从中西画法的不同总结出了中西空间意识的差别，并从中西宇宙观、哲学观、民族的文化心理三个方面进行了探讨。
Zong Baihua summarized the differences of spacial consciousness between west and east, and studied from the perspectives of world outlooks, philosophy and psychology of national culture.
宗白华从中西画法的不同总结出了中西空间意识的差别，并从中西宇宙观、哲学观、民族的文化心理三个方面进行了探讨。
Zong Baihua summarized the differences of spacial consciousness between west and east, and studied from the perspectives of world outlooks, philosophy and psychology of national culture.
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