如果表演者的声音纹理与面相和手势相符合，就能塑造一个完整又真实的人物形象。
When voice textures fit the performer's physiognomy and gestures, a whole and very realistic persona emerges.
《王子与贫儿》：大多数的孩子是通过《汤姆·索亚》知道马克•吐温的，但是《王子与贫儿》这部作品一样地趣味非凡，塑造了英国历史上让人难忘的人物形象。
"The Prince and the Pauper." Most kids encounter Mark Twain through "Tom Sawyer," but this work is at least as funny and offers unforgettable images of English history.
通过分析戏剧人物话语角色的转换来剖析人物的内在意图，可以深入人物内心，帮助理解人物形象的塑造。
An analysis of the characters discourse role switching in drama will help delve into his inner world, thereby shedding light on the characterization.
该小说中人物截然不同的时间意识塑造了个性鲜明的人物形象，深化了作品的主题。
The markedly different time consciousnesses of the main characters in the novel have shaped the sharply different images and also deepened the theme of the novel.
从电影《周渔的火车》人物形象塑造入手来探索该作品，我们应该能发现它内在的真实性。
We can start to explore the works from how the film "Zhou Yu's Train" shaping the images and then we'd find out what's in it inherently.
索福克勒斯和欧里庇得斯创作之不同，主要表现在人物形象的塑造、常用的创作手法、剧情的结构和戏剧精神等方面。
The differences of Sophocles and Euripides' creation mostly lie in the molding of character's image, the used creative tactics, the plot structure and the spirit of the drama, and so on.
人物形象塑造的成功与否，是叙事类文学作品创作中最重要的问题之一。
The success that the personage image molds or not, is one of most important questions in the creation of the narrate literary works.
他的电影体现个人与秩序、人性与传统冲突的主要手段，是人物形象的塑造。
His film reflects the main means that individual and order, human nature and tradition conflict, it is the moulding of personage's image.
中国古代戏曲中的形神理论，是关于舞台人物形象塑造的指导性理论。
The expression-spirit theory of Chinese ancient opera, is a guiding theory of creating character image on stage.
塑造鲜活的音乐人物形象是莫扎特歌剧音乐创作成功所在。
Shaping the image of live music personalities is the success of Mozart's opera the music.
在对小说文本进行分析的基础上，尝试运用俄国形式主义学派的“陌生化”手法解读桑提亚哥这一人物形象塑造的新颖、奇特之处。
On the basis of the textual analysis of the novel, V-effect of character depiction from Russian formalism is used to explore the novelty and peculiarity of the depiction of Santiago.
悲剧《哈姆雷特》对古希腊悲剧的继承性，体现在结构、情节安排和矛盾冲突、人物形象塑造、艺术手法表现上。
The inheritance of Hamlet to the ancient Greek tragedy was embodied in many aspects-the structure, plot arrangement, conflict, characters and artistic style.
《水浒传》最大的特点和优点，一方面是情节和结构着眼、服务于人物形象的塑造；
The biggest advantage and feature in "The Legend of Watermargin" lies in the plot and structure and the featuring of the characters.
就人物造型来说，化装与服装紧密结合直接塑造剧中的人物形象，在舞台演出当中它们是一个统一的整体，缺一不可。
On the character modelling, puts on makeup with the clothing close union direct mold play's in character image, middle the stage performance they are a unified whole, indispensable.
这是作者对作品思想倾向以及人物形象塑造总体要求的反映。
This is the reflection of the author's thought tendency and the requirement of the image-shaping .
在人物形象塑造上，他主要提出四个观点：一是运用个性化的行动和语言描写来表现人物的精神世界，而不主张用心理描写；
On creating image of figures, he mainly put forward four points. First, express the figure's spirit world with individual action and language description, not with Psychological description.
但是，近于工笔式的写作手法，与现实拉开距离的苦难题材，颇有些神化的人物形象塑造，也成为曹文轩创作的缺失之处。
But his way of writing like fine brushwork, hardship themes which are far away from realism, and the mythical figures he establishes also become his defect.
第二章主要从音乐和戏剧两因素分析作曲家如何对柳儿人物形象进行塑造，和歌唱表演者如何进行二度创作；
The second chapter analyzes how the composer developed the image of Liu and how the actors and singers should re-compose it.
还具有生动传神的特点，给我们塑造了栩栩如生的人物形象和摇曳灵动的自然物象。
Also has the vivid expressive characteristic, has portrayed the lifelike character image for us and drags the nimble and resourceful natural physical image.
创作题材的多样化、对话建构小说的主体、讽刺手法的灵活运用以及边缘化人物形象的塑造等等组合出富有特色的王朔作品。
The diversification of the subject matter, subject, flexible application of irony, and marginalized personage image compose Wang Shuo's characteristic work.
张艺谋在不同的电影作品中，用不同的方式、不同的风格，塑造了不同身份但性格相似或相近的人物形象，使人物形象具有符号性和象征性。
In different stories of ZHANG Yi-mou, similar characters with different status are portrayed in different ways and styles which provides characters in his films all carry a symbolic feature.
中国古代戏曲小说所塑造的草莽型人物形象的共同特征是勇与力，是鲁莽。
The sharing characteristics of the Robin hood-like characters created in the ancient Chinese plays and novels are brave and strong, and imprudent.
本文立足文本分析，从故事情节的描叙、主题思想的传达、人物形象的塑造、文化内蕴的思考等方面对两部影片的创作得失作出分析与阐发。
Based on the textual analysis, the article gives a presentation on the success and failure of creating two films, in aspects of plot describing, theme expression, image building and cultural meaning.
拜伦悲剧精神还影响着诗人选取和塑造作品中的人物形象。
The tragic spirit was also effected Byron's choosing and portraying characters.
拜伦悲剧精神还影响着诗人选取和塑造作品中的人物形象。
The tragic spirit was also effected Byron's choosing and portraying characters.
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