在诗体话语中，作者无法做到真正的场景叙事。
The author is hard to make a really scenic presentation in the poetic discourse.
军队集结、英勇抵抗、对手间的争斗，此类叙事单元不断重复出现，只有角色和场景发生变化。
The same narrative units—gathering armies, heroic shields, challenges between rivals—pop up again and again, only with different characters and different circumstances.
正统学院派的造型形式，沉稳地构架起叙事空间场景。
The modeling styles of orthodox academic school steadfastly construct the narrative space.
这些日常生活场景和都市化物质形态，成为小说叙事意义的生产者，参与了故事情节的推动。
These daily scenes and the metropolitan material configuration have become producers in their narrative sense so as to promote the plot of the stories.
它以知性的影像让不同的历史场景进行对望，让历史记忆得以穿梭于轻松与严肃之间，本片对亚洲整体的历史叙事来说，有著新的启示与激发。
It intellectually includes different historical scenes, letting the history cross between easiness and seriousness. It has some new inspiration to the historical narration in Asia.
本文重点探讨了师陀的小说在叙事视角、人称、人物塑造、场景描写等方面的特殊之处。
This article pays most attention to the specialties of Shituo's novels in the aspects of point of view, persons, shaping characters and the depiction of a scene.
这一部分分析了小说中包含的各种原型——原型母题、神话叙事模式、人物原型、原型场景及原型意象。
It studies different archetypes contained in the novel: archetypal motif, mythic narrative pattern, archetypal character, archetypal setting and image.
本章探讨小说是如何通过对叙事视角、人物塑造、场景选择、叙事线索以及史实的运用，来再现早期美国华人移民史这样一段一度缺失的历史的。
This chapter explores how the novel manages to present an artistic representation of the lost history by way of narrative perspective, characterization, setting, narrative thread and historical facts.
此章分为“女性主体叙事”和“场景化叙事”两个小节。
This chapter has two parts, that is: women oriented narration and narration of settings.
而西湖作为小说场景的运用，则是中国小说叙事传统的一个生动体现。
The application of the West Lake as the fiction's environment was a vivid representation of the narrative tradition of the Chinese fiction.
这两种基本的叙事视角又与女性的两种基本生存场景之间存在着共振式的应答关系 ，称之为中国女性文学的应答叙事。
These two perspectives of narration have a resonant relationship with the two basic existential situations, which is known as Responsive Narration in the Chinese Female Literature(RNCFL).
叙事文体学分析的总体框架包括五个成分，它们是人物、场景、事件、空间形式和视角。
The general framework of narratological stylistics framework includes the five structural elements, namely Character, Space, Event, Spatial Form and Point of View.
叙事文体学分析的总体框架包括五个成分，它们是人物、场景、事件、空间形式和视角。
The general framework of narratological stylistics framework includes the five structural elements, namely Character, Space, Event, Spatial Form and Point of View.
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