好了，让我们在画面中添加一些元素。
和方块在画面中是形成一种对抗的格局。
And the box on the screen is to form a pattern of confrontation.
注意他在画面中的姿态。
生活道具在画面中便不可或缺，这些大多由中国元素构成。
Props on the screen in life will be essential that these elements are mostly from China.
象‘回家来’‘大山的那边’等好些的影片，则不只是在画面中显示勇气。
The better movies, such as "Coming Home" and "the Other Side of the Mountains," showed that courage does not really enter into the picture.
假如你能(在画面中)看见一大块玻璃，那么不久就会有人被抛过赴砸穿它。
If a large pane of glass is visible, someone will be thrown through it before long.
在画面中洪水肆虐的景象随处可见，而实际受灾地区的面积还要比我们所看到的大很多。
Signs of flooding are also evident throughout the large image, which includes a much wider area.
你可以在画面中决定哪里是趣味中心，只要保证趣味中心的区域比较亮而且对比比较强就可以了。
You can control where to have the points of interest in your painting by keeping those areas with the brightest values and with the most contrast.
他浏览自己在画面中或倚着一架废弃的马车，或拖着一棵圣诞树穿过雪地，或在马棚里点燃一盏灯。
He leafs through pictures of himself leaning against a chuck wagon, dragging a Christmas tree across a snow covered field and lighting up in a stable.
然后我一点点地移动了蜡烛去调整它和玻璃杯之间的距离和位置，为了使玻璃杯在画面中的效果更好。
Then, I moved the candle a bit to adjust the distant and position between it and the glass, in order that the glass looks better on camera.
卡洛之所以在画面中引入超越常规的语言、实现自由不羁的表达，是源于墨西哥本土艺术、文化的赋予。
The reason that Kahlo introduces the surmounting convention in the paintings, realizing the freely expression, is stems from the Mexican native art and cultural.
在画面中，城市(建筑物)占据着整个画面，我也有意识的做了一些处理，刚才也提到了，我用PS做了一个玻璃效果。
In the screen, the city (building) occupied the entire screen. I also have done some adjustment intentionally. As I have just mentioned, I used PS to do a glass effect.
所以我们用可以快速选择的魔棒工具(Wkey)在画面中手臂的外面点一下，然后点击Ctrl +Shift +I来反相选择。
So we can grab the Quick selection Tool (w key) and make a selection outside and the hand, and hit Ctrl + Shift + I to inverse the selection.
受另一张图的启发，我试图在画面中增强这种孤立的感觉，所以我将这个人放置在一个阴沉的空间，我们从我们是从一个沾满污垢的窗子后面看到这个场景。
Inspired by another picture, I tried to amplify the feeling of isolation for the viewer of the image, by putting him in a rather gloomy room, watching the scene from behind grimy Windows.
手机拍摄的阿拉伯起义和美国龙卷风的画面被发布在社交网站上，并在电视新闻广播中播放。
Mobile-phone footage of Arab uprisings and American tornadoes is posted on social networking sites and shown on television newscasts.
将她的问题放在宇宙早期可怕的混沌画面中飘荡，好像她从创世的开始就一直在发问，这是这部优秀影片最大胆的技法。
It is this great film's boldest stroke to let her questions float over those fearful early images of an indifferent cosmos as if she had been asking them since the dawn of time.
你再次深呼吸，这时在火焰中开始浮现出一个画面来。
You take another deep breath and a scene begins to emerge within the flames.
在焰火表演开始前考虑一下画面中的前景和背景元素，并想想怎样将它们组合起来。
Before the show begins, think about the foreground and background elements of the scene and how you might want to incorporate them.
这个区域最热的恒星在猎户四边形星团中，即画面中心附近的最明亮的那个星团。
The region's hottest stars are found in the Trapezium cluster, the brightest cluster near picture center.
这幅从外部空间遥望地球的画面，从一个特殊的视角展示了我们在宇宙中的角色和地位，是如此渺小而又美丽。
This view of our planet shows how Earth looks from the outside, illustrating a special perspective of our role and place in the universe. We see a humbling yet beautiful view of ourselves.
这幅从外部空间遥望地球的画面，从一个特殊的视角展示了我们在宇宙中的角色和地位，是如此渺小而又美丽。
This view of our planet shows how Earth looks from the outside, illustrating a special perspective of our role and place in the universe.We see a humbling yet beautiful view of ourselves.
在第四个例子中，我为画面增加了一个来自未知的U FO中另一世界的访问者(参见图2)。
In the fourth example I spice up the scene with a visitor from another world, in a handy-dandy UFO (see Figure 2).
在记忆中成型的画面如果能用文字写下来，它们在文学上也是配占一席之地的。
If pictures which have taken shape in memory can be brought out in words, they are worth a place in literature.
在视频的最后画面中，你能发现石块顶部由进行光合作用的细菌组成的绿色膜，和下部由白色硫化细菌构成的白色的膜。
You can see the films of green photosynthetic bacteria on top of a rock and a film of white sulfide-oxidizing bacteria underneath it in the very last scene of the movie.
因此，一位正在作画的艺术家，在决定要不要改动画面中的某一部分时，就不必想“有什么好改的？”
So an artist working on a painting and trying to decide whether to change some part of it doesn't have to think "Why bother?"
因此，一位正在作画的艺术家，在决定要不要改动画面中的某一部分时，就不必想“有什么好改的？”
So an artist working on a painting and trying to decide whether to change some part of it doesn't have to think "Why bother?"
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