米芾力图在苏轼的文人画“适意”原则上确立一种与这一原则相对应的山水绘画图式，并为此付诸实践。
Mi Fu attempted to establish a kind of pattern of landscape painting corresponding to Su Shi's principle of "congeniality", and he put it into practice in person.
从这些作品的形式、技法上来看，它们是典型的西方抽象画；但是透过这些“外简内丰”的图式，更容易看到内在里的中国内容，它们是纯粹的中国文化基因。
From the format and techniques of the artwork, they are typical western abstract drawing, but from the simple pattern, it's never hard to see the "Chinese" in side, they are purely Chinese gene.
从这些作品的形式、技法上来看，它们是典型的西方抽象画；但是透过这些“外简内丰”的图式，更容易看到内在里的中国内容，它们是纯粹的中国文化基因。
From the format and techniques of the artwork, they are typical western abstract drawing, but from the simple pattern, it's never hard to see the "Chinese" in side, they are purely Chinese gene.
应用推荐