商周青铜器饕餮纹，是中国青铜时代最引人入胜的课题之一。
Taotie pattern on the bronze wares in the Shang and Zhou Dynasties is one of the most attractive topic in Chinese bronze-ware time.
按照时代顺序的脉络，对夏商周青铜器的造型形式，纹饰意蕴，铭文书法等审美特征进行分析。
In accordance with the time sequence context, analyze the shape decoration implication, inscriptions and calligraphy of the aesthetic characteristics.
需要说明的是，作为研究对象的青铜器，从时间轴上来看，并不仅仅指夏商周三代的青铜器，而是包括从滥觞期的青铜器，一直到汉代赋予新含义的青铜制品。
In addition to the above, the bronze aware as the research object refers to that of not only the Xia, Shang, and Zhou period from the time axis, but also the initial stages to the Han dynasty.
黄河流域是商周时期中国文明的中心之一，也是春秋时期青铜器纹饰最发达的地区。
The Yellow River Valley was one of the centers of China in the Shang and Zhou Dynasties as well as the most developed region in bronze ware decoration patterns in Spring and Autumn Period.
黄河流域是商周时期中国文明的中心之一，也是春秋时期青铜器纹饰最发达的地区。
The Yellow River Valley was one of the centers of China in the Shang and Zhou Dynasties as well as the most developed region in bronze ware decoration patterns in Spring and Autumn Period.
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