现时代是一个后现代时代，教育不可回避地具有了后现代性。
At different times, there are different educational ideas, different educational slogans and different educational actions.
后现代文化作为特定时代的产物，适应了社会发展趋势，表征着历史的必然性和积极性。
As the products in a particular period, postmodern culture ADAPTS to the tendency of social development and stands for the historical necessity and activity.
他写诗及商业性的写实文学，并出版了两本书：《后现代魔术：资讯时代魔术艺术》与《魔力语言符号：一个魔术师对语言学的诠释》。
He writes poetry and nonfiction and has published two books: Postmodern Magic: the Art of Magic in the Information age and Magic Power Language Symbol: a Magician's Explanation of Linguistics.
凡蒂莫认为，艺术作品是后现代、后形而上学时代真理出现的地方或场所。
In Vattimos view, works of art are places or locales for truth to appear in the postmodern and post metaphysical era.
在社会转型与全球化语境下，“剩女”时代已经悄悄来临，性别冲突再次成为后现代社会人们热论的焦点话题。
In the context of globalization and social transition, the age of Shelved ladies has been coming quietly, and the gender conflict becomes a focus topic of post-modern society.
后工业景观是工业时代之后“第四自然”的表征，其设计受到“大地艺术”和后现代建筑理论的影响。
The post-industrial landscape is the representation of Fourth Nature, and its design is influenced by the Earth work and the theory of post-modern architecture.
面对后现代主义的冲击，我们要站在现代社会的基点上来实现启蒙时代的现代性，这是我们一直要坚守的立足点。
Faced with the impact of postmodernism, we have to stand on the basis of a modern society to achieve Enlightenment, modernity, and this is our starting point has always been to stick to.
两个词进入了建筑的常用语汇并且成为时代的标签——“高科技”和“后现代”。
Two style labels entered the architectural vocabulary and became labels that defined the era - 'High-Tech' and 'Post-Modern'.
当戛纳广告节再一次将绣球抛给后现代主义作品时，笼罩在数码时代光环下的“后现代主义”这一词汇让中国广告人爱恨不得。
At the Ganne Advertisement Festival, when the silk ball was once again thrown to post-modernistic works, the term "post-modernism" made Chinese advertisers unable to love or hate it.
本文认为，景观电影的出现与视觉文化时代和后现代文化语境息息相关，更离不开计算机成像技术的强力支撑。
Spectacle movie is not appeared occasionally, and it is related to the visual culture times, the postmodern-culture conditions and also strong support from computer imaging technology.
技术作为我们时代的突出主题和根本现象成为后现代主义哲学反思和批判的对象。
Technology, as a most critical issue and fundamental phenomenon, calls attention of postmodernist philosophy.
后现代主义广告是一种具有创造性风格的广告形式，它以独特的方式记录和表现了时代的变迁，反映了后现代主义思潮的种种文化特性。
Postmodernism advertisement is a kind of advertising form with creative style, which expresses the changes of the age and the cultural characteristics of Postmodernism in its unique way.
面对精神黑暗的时代，有些年轻一代的艺术选择逃避，逃向商业卡通、唯美主义和后现代游戏。
Facing with an era of spiritual darkness, some of the young generation artists have chosen to escape to commercial cartoons, aestheticism and post-modern games.
在后现代消费和视觉体验时代里，动画艺术成了最好的视觉娱乐生活方式。
In after modern expense and in the visual experience time, animation art has become the best visual entertainment life style.
这显然是一个两难的事实，即一个人生活在一个后现代主义时代，在这一阶段的迹象充分表明这一个是经常被欺骗的形象宣传策略。
This is apparently a dilemma considering the fact that one lives in an age of post modernism; a stage during which signs mask reality, and one is often deceived through image-promoting strategies.
美国后现代主义小说反映了自二战以来其不同历史时期的时代特征。
The American postmodernist fiction reflects the characteristics of the different historical periods inthe U. S. since WWII.
你的设计灵感多来自特殊的时代，经常在后现代感十足的格调中又融入了最新的科技元素。
You draw inspiration from a specific era, often incorporating an ultra-modern design as well as the latest technology.
在52扑克影院：惊魂记，罗德以标签扩增实境技术，重看后现代希治阁大师之作《惊魂记》，为这出划时代的惊世距著作出新的诠译。
In 52 Card Psycho, Rhodes USES marker-based augmented reality technology to look back on the late modern Hitchcock masterpiece, Psycho - which has become an icon of artistic appropriation.
这是个空气中都充满了消费主义味道的时代。“80后”后现代式的叛逆和痛苦、尴尬的遭遇，与这个时代有着千丝万缕的联系。
The post modem treachery of the post eighties and their awkward encounter have very close connection with the age of consumerism.
庞德与威廉斯是跨越了现代主义与后现代主义两个时代的诗人，通过他们的思想和创作，我们可以理解什么是后现代主义诗歌。
We can grasp the post modernist poetry by reading their poetry. The basic characters of the post modernist poetry may be summarized as follows: meaning suspense, planed and scattered…
如今的手机短信文学反映出生活化、去中心、无深度、消解崇高、解构经典的后现代审美倾向，这是现代人处于文化速食时代并患上孤独焦虑症的必然选择。
The mobile-phone short-note literature reflexes the following modern aesthetic inclination, for example, livelihood, reverse-centre, non-depth, removing lofty and so on.
如今的手机短信文学反映出生活化、去中心、无深度、消解崇高、解构经典的后现代审美倾向，这是现代人处于文化速食时代并患上孤独焦虑症的必然选择。
The mobile-phone short-note literature reflexes the following modern aesthetic inclination, for example, livelihood, reverse-centre, non-depth, removing lofty and so on.
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