中国古代文论博大精深，内容浩繁。
China ancient times the article discussed broadly and profoundly, the content was vast.
“诗性”是中国古代文论的一个特征。
Poetic nature is one of features of the ancient Chinese literary articles.
“教化”是中国古代文论的重要范畴。
Jiaohua "is an important category in Chinese ancient literary theory."
他在中国古代文论方面有着较大的贡献。
He made a distinguished contribution in ancient Chinese literary theory.
中国古代文论研究存在“西方文化中心论”的倾向。
There is a tendency of "West centered culture" in the study of ancient Chinese literary theory.
中国古代文论是生命性文论，是一种整体有机结构观。
Ancient Chinese literary theory is living, and its structure is organic.
新时期古代文论教材的编写与出版取得了很大的成绩。
There has been a great achievement in editing and publishing the ancient literature theory teaching materials in the new era.
“意境”是中国古代文论和美学研究中的关键性问题。
Yijing"is the crux point, on which the study of chinese ancient literary and aesthetic compositions."
所谓中国古代文论，指的是19世纪以前的中国文论。
So-called China ancient times article theory, what refers to was before the 19th century's Chinese article theory.
二是理论范畴，古代文论的大量范畴仍为当代文论使用。
Second is the principle category since many of the ancient categories are still being used in modern cases.
中国古代意象论是中国古代文论和美学理论的基本范畴。
The ancient Chinese "imagery" is a basic category in ancient Chinese critical theory and aesthetics.
它们在古代文论中的含义，虽不乏联系，但并不完全相同。
They in ancient times Wen Lun meaning, although relates many, but not identical.
古代文论范畴研究是古代文论研究的基础和重要组成部分。
Category studies in Chinese ancient literary theory is a fundamental important part.
“中国古代文论的现代转换”问题一直是文论界关注的话题。
Issues on modern transition of China ancient theory of literature have always been the studying focus of theory of literature academic field.
境、境界、意境是中国古代文论中的重要范畴，历来探讨甚多。
The boundary, the boundary, the ideal condition were China ancient times in Wen Lun important category, always discusses very many.
中国古代文论现代转换的视角应该建立在接受与过滤的基础上。
Modern transformation of ancient China perspective should be established on the basis of the acceptance and the filter.
作为一个诗学范畴，“意格”说中蕴藏着古代文论家的文体观。
As a poetic category, the meaning case theory contained ancient critics theory of statistics.
当前，中国古代文论正在进行现代转换，而且大有举步维艰之势。
At present, Chinas ancient literary theory is under modern transformation with hardship in moving forward.
探索古代文论的当代价值是解决古代文论向当代文论转型的关键。
The research on modern value of ancient literature theory is the key to solve the problem of transmision from ancient literature theory to modern literature theory.
诗学与书学的互通，是中国古代文论中一种值得注意和研究的现象。
The phenomenon of mutual communication between poetics and calligraphy is worthy of research in Chinese ancient literary theory.
古代文论中体现的是古代文人学士的文学观，重视学识和经验规范的传承。
Ancient literary works dealt with the literary views of ancient scholars, and attached important to the succession of knowledge and experience.
从这些方面，亦可以看出中国古代文论与西方现代文论在价值观念上的重要差异。
This shows a very important difference between ancient Chinese literary criticism and modern Western literary criticism.
“趣”在我国古代文论范畴系统中处于核心位置，在范畴系统构架中起着支柱作用。
The category of "Qu" (interest) is in a central position in the system of Chinese classical literary theoretical aesthetic category and plays a post role in the frame of category system.
在中国古代文论中并没出现过“人格”一词，但与此相关的“格”的概念却早已有之。
While it is true that "personality" did find its place in ancient Chinese literary critics, the relating concept of "-ality" truly existed beforehand.
似乎很多问题都可以归结到如何在现代文化语境下研究中国古代文论这样一个基本命题。
It seems that many problems can be reduced to this basic proposition as to how to research ancient Chinese literary theory under the contemporary cultural context.
中国古代文论与西方现代文论在语言、意义观念上既存在着相似之处，又有明显的不同。
There are difference and obvious similarity between Chinese ancient literature theories and Western modern ones on the Sense of Language and Significance.
“隐秀”论丰富了中国古代文论研究，也对中国当代文论建设有积极的实践和理论意义。
The research of "Yin Xiu" enriches the ancient Chinese literature, and also plays a positive role in the construction of the contemporary literature.
在中国古代文论中，“狂”常见于作家气质、作品风格、审美品鉴以及创作过程等诸多方面。
In Chinese Classical Literary theory, "Kuang" is constantly appeared in the comments on writer's temperament, work's style, work's aesthetics, and producing praess, etc.
流行的观念认为中国古代文论重抒情重表现，似乎不讲“摹仿”，摹仿说仿佛只是西方的专利。
It is a prevailing idea that the classical Chinese poetics emphasized only lyricism and representation while neglecting mimesis; mimesis seems to be the patent owned by the Western.
流行的观念认为中国古代文论重抒情重表现，似乎不讲“摹仿”，摹仿说仿佛只是西方的专利。
It is a prevailing idea that the classical Chinese poetics emphasized only lyricism and representation while neglecting mimesis; mimesis seems to be the patent owned by the Western.
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