因为动画角色讲话的口型以及身体的移动都需要跟对话做到吻合。
This is important because the character's mouth and body movements need to time up with the dialogue.
通过口型同步引进的动画人物的生活是动画的最令人欣慰的(和必要的)的方面之一。
Bringing an animated character to life through lip sync is one of most gratifying (and necessary) aspects of animation.
总之，如果我的镜头被计划为5天我会花费至少一天或者更多时间在面部和口型同步动画上。
Over all if my shot is scheduled for 5 days I will try to spend at least one day or more on the face and lip sync.
采用此方法我们得到了逼真的表情和口型模拟动画。
We have gotten realistic human expressions and mouth shape by th...
在面部和口型同步动画时我几乎遵照和身体其他部分同样的原则。
I follow pretty much the same principles for the face and lip sync as I do for the rest of the body.
在面部和口型同步动画时我几乎遵照和身体其他部分同样的原则。
I follow pretty much the same principles for the face and lip sync as I do for the rest of the body.
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