本章着重分析了叙事情境中的视角、表述和叙事声音三个要素。
It mainly studies three factors of the narrative situation, such as the visual Angle, expression and narrative voice.
新闻叙事声音与消息来源之间形成了相互依赖、相互制约的关系。
The relations between narrative voice and sources are interdependence and interacting.
叙事声音，特别是主要人物的叙事声音的转换，多个角度呈现出作者的介入叙述。
The transformation of narrative voices, especially the character-narrator reveals the intrusion of the author.
文章从叙事模式、描写停顿、叙述频率、叙述视角和叙事声音等方面探讨《大披巾》的叙事艺术。
This paper probes into it from narrative model, descriptive pause, narrative frequency, narrative point of view and narrative voice.
文章试从叙事模式、叙事策略和叙事声音三方面分析海明威的短篇名作《杀人者》，论述其独特的叙事艺术。
This article tries to make a general analysis on the narrative style of his The Killers from the three aspects: narrative pattern, narrative strategies and narrative voice.
文章试从叙事模式、叙事策略和叙事声音三方面分析海明威的短篇名作《杀人者》，论述其独特的叙事艺术。
The essay is concerned with the following aesthetic characters"lifelike", "picturesque", "refined"and expounds the relationship between aesthetic characteristice and news narrative.
叙事声音与叙事眼光不再统一于叙述者，而是分别存在于故事外的叙述者与故事内聚焦人物这两个不同实体中。
The narrative sound and the narrative Angle of view do not come from the same narrator, but exist in the different characters.
论文通过对伊迪丝·华顿三部作品，《欢乐之家》、《天真的年代》和《伊坦·弗洛美》中叙事技巧和叙事声音的分析，寻找到“隐含作者”的存在。
This paper intends to find the presence of "implied author" by analyzing the narrative means and voices in Wharton's three major masterpieces, the House of Mirth, the Age of Innocence and Ethan Frome.
就像在鼎盛时期的投球手，麦凯恩以不断变化的速度，用不同的声音、音调和叙事风格，在不同情节间自如转换。
Like a great pitcher in his prime, McCann is constantly changing speeds, adopting different voices, tones and narrative styles as he shifts between story lines.
塞格多尔·古德扬森的录像叙事摒弃了以往的线性叙事，采用叠加剪辑来进行创作，拍摄时所录制的声音也成为打破叙事的一个重要元素。
The video narratives of Sigurdur Gudjonsson refuse linearity and work with superimposing cuts in which sound, mostly taken while filming, becomes also an important element for his broken narratives.
在叙事虚构作品中，不能将作品的作者等同于作品的叙述者、将作品中的叙述声音等同于作者的声音。
In reading narrative fiction, we should not equate the author with the narrator or equate the narrative voice with the voice of the author.
文学如何产生意义，一直都是文学研究的难点，这一问题在叙事学理论中集中体现在对“叙述声音”概念的理解和辨析上。
It has always been a puzzle how the literary meaning is produced. In the field of narratology, the difficulty is then reflected mainly in the concept of narrative voice.
从叙事学的角度来看，电视新闻文本的客观性取决于通过画面、声音等叙事方式建构的客观效果。
From the Angle of narratology, the objectivity of TV news is determined by the objective effect produced with video and audio.
从叙事学的角度来看，电视新闻文本的客观性取决于通过画面、声音等叙事方式建构的客观效果。
From the Angle of narratology, the objectivity of TV news is determined by the objective effect produced with video and audio.
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