其次,根据现代的喜剧电影概念划定的范畴,对中国早期(1905—1950年)喜剧电影进行分期、分类式的历史分析和美学描述。
A periodical survey, sort and historical analysis from the aesthetic angle about the early Chinese comedic films (1905 — 1950)is the thesis of the part.
复兴的中国周五以耀眼的烟花拉开了盛大的奥运开幕式。开幕式将古老的中国历史和现代风尚融合在了一起。
Resurgent China opened the Olympics on Friday with a burst of fireworks at a spectacular ceremony that wove ancient Chinese history with modern wizardry.
但钱穆对民族主义做出了“去现代性”式的解读,使得他可以通过历史的叙述方式,将“民族”的历史起源与“文化”的历史起源混于一处。
Qianmu unscrambled the nationalism by un-modernity mode, so he could mixed up the origin of nation and culture by his history narrate mode.
鲁迅先生完成了《呐喊》、《彷徨》两部现代题材小说创作之后,在继续开掘国民性负面因素的同时,企冀用历史小说的形式描绘“中国人的脊梁”式人物。
After completing his two novels "Cry" and "Hesitation" based on modern themes, Luxun attempted to depict the Chinese ridge beam characters as he continued to excavate the negative national factors.
鲁迅先生完成了《呐喊》、《彷徨》两部现代题材小说创作之后,在继续开掘国民性负面因素的同时,企冀用历史小说的形式描绘“中国人的脊梁”式人物。
After completing his two novels "Cry" and "Hesitation" based on modern themes, Luxun attempted to depict the Chinese ridge beam characters as he continued to excavate the negative national factors.
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