贝多芬并没有继承莫扎特与海顿的风格，他的前两部作品首次公演时，在大提琴家皮埃尔·迪波尔的协奏下，衬托得钢琴部分更加精巧华丽。
Beethoven, who had no precedents in the genre by Mozart or Haydn to emulate, performed the premieres of the two works, whose piano parts are more virtuosic, with the cellist Jean-Pierre Duport.
协奏曲是另外一种风格。
我们讲完这种风格和它的四个乐章，下面要探讨的是钢琴协奏曲。
We finished with this idea of the genre, of the four movements, so then let's go on to talk about the piano concerto.
本文通过对莫扎特钢琴协奏曲的解析，使我们清晰地感觉到了西方古典时期钢琴作品乐观、明朗、流畅、优美等风格特征。
This article let us feel the characters like positive, lightness, liquidity and elegance of the piano work in the classic time in the west by analyzing Mozart's piano concerto.
第三章，从心理学及审美学的角度研究音乐风格在小提琴协奏曲中的具体体现。
Chapter three, from a psychological and aesthetic point of view of musical styles Violin Concerto in a concrete embodiment.
同时以《芬兰颂》、《第二交响曲》、《d小调小提琴协奏曲》等不同体裁的作品为例，我们从中可以看出西贝柳斯特有风格的形成过程。
Meanwhile in "Finlandia" and the "Symphony No. 2 in D major" and the "Violin Concerto in D Minor" by the works of different genres , We can see the formation of Sibelius unique style .
而他的第二钢琴协奏曲则是这一风格的最高范本，因而博得了演奏者和聆听者的广泛喜爱。
The representative of his piano works was Piano Concerto No. 2, which received wide admiration from many pianists and audience.
第二章论述作品中折射出的浪漫主义余辉和风格混成的音乐风格元素，以及协奏曲的体裁形式规定在20世纪语境中的情况；
Chapter Two, the music stylisitic elements of the work, such as Romaticism and stylisitic mixture, and the context of concerto within the 20th century will be discussed.
施尼特凯用掌握的大量现代音乐作曲技法来写作巴洛克体裁的大协奏曲，势必会在其中体现出多风格及其复调技法的运用。
Schnittke write the concerto grosso of Baroque literature style with these techniques to be able to manifest the Polystylistic inevitably in among the meaning.
通过研究格里格的这部协奏曲，可以了解格里格创作的一般特点，对于全面掌握格里格的作品风格有着极其重要的意义。
Researching this concerto, we can get a good understanding of Edvard Grieg's general natures in composition, which is greatly important for us to grasp his works' style.
通过研究格里格的这部协奏曲，可以了解格里格创作的一般特点，对于全面掌握格里格的作品风格有着极其重要的意义。
Researching this concerto, we can get a good understanding of Edvard Grieg's general natures in composition, which is greatly important for us to grasp his works' style.
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