• 动画总监分配镜头时,通常镜头动画类型动画师的个人特长进行匹配。

    The supervising animators usually assign a shot by matching the kind of animation called for in the shot with an animator's strengths.

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  • 比·波德斯塔(BobbyPodesta):《玩具总动员3动画总监1997年加入皮克斯以来很多动画一样觉得自己一个演员

    Bobby Podesta, supervising animator of Toy Story 3, has been with Pixar since 1997 and, like most animators, considers himself an actor.

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  • 好莱坞,加利福尼亚(《今日好莱坞》报道)3/7/2010 - “年轻制片人建议,成功在于那些工具创造出什么,”皮克斯动画总监约翰·拉赛特说,“在于你怎样呈现你想要说故事。”

    HOLLYWOOD, CA (Hollywood Today) 3/7/2010 – ”My advice to young filmmakers is it’s what you do with the tools,” says Pixar Animation chief John Lasseter. “It’s how you tell the story.”

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  • 之后Stan迪斯尼梦工厂从事形象动画方面的工作,担任了《Fantasia 2000》(幻想曲2000)的软件技术总监

    Later, Stan worked in feature animation both at Disney and DreamWorks and served as a Software Technical Director on Fantasia 2000.

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  • 东映动画公司策划方面资深总监HidenoriOhyama表示留学生加入日本公司完全有可能的。

    Hidenori Ohyama, senior director of corporate strategy at Toei Animation, said it was possible that international students could end up at Japanese companies like his.

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  • 既是参考指南这本很快证明必不可少的,无论一个技术总监图形编程建模动画业余爱好者

    Both a reference and a tutorial, this book will quickly prove indispensable, whether you're a technical director, graphics programmer, modeler, animator, or hobbyist.

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  • 即便如此星“招聘顶尖程序员,仍与世界级西方动画公司相去甚远,”幸星制作总监斯蒂文·d·卡茨Steven D。

    Even so, Xing Xing "can't approach world-class Western animation companies in terms of employing top-notch programmers," said Steven d.

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  • 无损皮肤编辑动画动画技术总监通常发现必要他们搭建角色上进行迭代工作

    Nondestructive Skin Editing Animators and animation technical directors usually find it necessary to work iteratively on their rigged characters.

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  • 添加斯蒂芬·斯,解放阵线像素项目特效公司之一,“创意总监后,给了我们作曲影响以及创造动画极端多功能性。”

    Adds Stephen Lawes, creative director of Pixel Liberation Front, one of the VFX firms on the project, "After Effects gave us extreme versatility in comping as well as in creating motion graphics."

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  • 添加斯蒂芬·斯,解放阵线像素项目特效公司之一,“创意总监后,给了我们作曲影响以及创造动画极端多功能性。”

    Adds Stephen Lawes, creative director of Pixel Liberation Front, one of the VFX firms on the project, "After Effects gave us extreme versatility in comping as well as in creating motion graphics."

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