就像我说的，佳构剧作为一种剧本创作的形式，成为了现实主义戏剧的基础，也成为了许多非常受欢迎的19世纪戏剧的基础。
As I said, the well-made play, this form of playwriting, became the basis for realism in drama, and for a lot of very popular 19th-century plays.
当我意识到我在写剧的时候，我读了更多剧本来学习形式、内容和技巧。
When I realized that I was writing plays, I read a lot more plays for style, substance, and technique.
为了提高阅读能力，你可以尝试读者剧场的形式，即让读者大声朗读格式化的剧本。
To improve your reading, you can try the form of readers' theatre, a formatted script for readers to read aloud.
但我不觉得所有人类的形式都会简化，就像那个剧本里的例子一样。
But I don't think all forms of human will reduce to, like examples of that scenario.
当你写剧本或者其它的文字作品时，比如小说、日记、故事，你的构想一旦以文字形式落到纸面上，就已经形成了基本的版权保护。
When you write a screenplay or any other written work, such as novels, journals, and stories, you form a basic copyright protection the instant you put an idea and text to paper.
我心想，为什么不以这种观点为基础，去写一个朗诵形式的剧本呢？
Why should it not do, I thought to myself, to act a drama in a kind of recitative based on this idea.
场景剧本也完全是文本的，我们还没有讨论形式，而仅仅是用户和系统的行为，这种讨论最好通过文本性的叙述来完成。
Context scenarios are also entirely textual. We are not yet discussing form, only the behaviors of the user and the system. This discussion is best accomplished as a textual narrative.
元剧是在瓦舍文化中兴盛起来的成熟的戏曲形式，因此元剧本质上是一种俗文化。
The dramas of the Yuan Dynasty grew and matured among the Commons and was essentially a popular culture.
也许他该以剧本的形式来写这本书。
这些模型可以被设计者用于情境中和关键线路场景剧本中，来验证所设计设备的外形和形式。
These models should be employed by designers in context and key path scenarios to validate proposed form factors.
一个导演必须具备把文字性的电影剧本以电影的形式来诠释传达的能力。
A director must have the ability to interpret and translate the written ideas of the screenplay into cinematic form.
作为一种特殊的文体，电影剧本不论从内容还是形式上都具有自己突出的特点。
As a special language variety, screenplay has distinctive features both in the form and content.
当我意识到我在写剧的时候，我会读更多剧本来学习形式，内容和技巧。
When I realized that I was writing plays, I read a lot more plays for style and for substance and for technique.
戏剧本质是形式？还是文本？京剧能等到果陀吗？
What is the Essence of Drama, Form or Text? Could Beijing Opera Get Godot?
伴随着漫长的历史变迁，戏剧本身，无论是在内容或形式上，也经历了巨大的变革。
With historical vicissitudes, opera itself has undergone radical changes both in content and form.
如果我们把历史看作一个剧本，那么这个剧本的传播内容和表现形式就决定了它的影响力。
If we take history as a scenario, the content and form that manifest it will be decisive to its impact.
何意 何意电影和戏剧的剧本是记叙文深层次的表现形式。
The scripts written for movies and plays are further examples of narrative writing.
何意 何意电影和戏剧的剧本是记叙文深层次的表现形式。
The scripts written for movies and plays are further examples of narrative writing.
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