钟爱大自然的人内在的和外在的感官真正契合一致，直至成年依然保持着童稚之心。
The lover of nature is he whose inward and outward senses are still truly adjusted to each other, who has retained the spirit of infancy even into the era of manhood.
内审美是相对于建立在审美对象基础上的、以耳目视听为媒介的感官型审美的内在精神型审美。
Inner aesthetic is sense aesthetic which is based on aesthetic object and media of audio and visual properties.
五是放开外部世界，通过断开感官把注意力转向内在。
The fifth isletting go of the external world, interiorizing by disconnecting the sensetelephones and turning one's attention within.
仪器分析与内在质量感官评吸对比结果表明，采用微波膨胀烟梗方法制成的梗丝对改善其吸味品质、增加烟香、提高填充能力和成丝率以及协调叶组配方等有明显效果。
The results showed that the former had improved taste, enhanced aroma, higher filling power and percentage of usable cut stem, and better blending adaptability, in contrast with the latter.
以硝普钠(SNP)为NO供体，研究不同浓度的SNP对菜豆荚的感官品质和内在品质的影响。
Using sodium nitroprusside as a nitric oxide (no) donor, the effect of different concentration of SNP treatment on sensory and internal quality of Lima bean pod was investigated.
因此只要我们追求感官价值，不论是触摸、品尝、闻、看或想，外在就比内在变得重要得多；
So, as long as we are seeking sensate value, whether of touch, of taste, of smell, of perception, or of thought, the outer becomes far more significant than the inner;
理性所寻求的无限原则是内在于这世界之中的，而在感官所见的个别形象里，不足以表现其真正面目。
The infinite principle, the self-centered truth, therefore, is in the world for reason to discover: though it exists in an individual and sensible shape, and not in its truth.
共感化、符号化、感官化有系统地构成了媒介趣味的内在生成机制，分别主要联系着媒介趣味的生产、显现与接受。
Empathy, signalization and sensitization constitute inner creative mechanism which mainly relates with the process of producing, displaying and accepting of media taste.
共感化、符号化、感官化有系统地构成了媒介趣味的内在生成机制，分别主要联系着媒介趣味的生产、显现与接受。
Empathy, signalization and sensitization constitute inner creative mechanism which mainly relates with the process of producing, displaying and accepting of media taste.
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