是的，克里斯托弗·诺兰（据他说花费了10年的时间写出盗梦空间的剧本）翻出一个老掉牙的关于大脑的荒诞说法。
Yes, Christopher Nolan (who’s said to have spent a decade writing the screenplay for "Inception"), trots out this debunked old brain myth.
想在克里斯托弗.诺兰（Christopher Nolan，英国导演，指导了蝙蝠侠前传系列，以及《盗梦空间》）的电影里发掘出信息来，用久等不见的公交车来形容可能力道不足，也许把这个过程描述为等着看火山喷发更合适。
Seeking information about Christopher Nolan Batman movies is, if not like waiting for buses, perhaps like watching volcanoes.
《盗梦空间》极佳的展示了克里斯托弗·诺兰对时间和空间的把握，但是斯科塞斯的“哥特般恶魔”是对被压抑的种种的更深层次也更让人不安的挖掘。
"Inception" was an impressive demonstration of Christopher Nolan's command of time and space, but Scorsese's gothic nightmare was an altogether deeper and more troubling excavation of the repressed.
在克里斯托弗·诺兰的电影《盗梦空间》中，主角之一的建筑师艾里·阿德妮创造了这令人惊叹的梦之城，在这里盗梦黑客们追逐着他们的目标。
In Christopher Nolan's film Inception, a pivotal character named Ariadne is the Architect, who creates stunning dream cities through which dream hackers chase their marks.
克里斯托弗·诺兰在其别具风格的有关睡眠的惊悚片《盗梦空间》(“Inception ”)中给出了答案：我们两者皆是，既是蝴蝶，也是人。
In Christopher Nolan's stylish sleep thriller "Inception" he answers we're both — butterfly and man.
克里斯托弗·诺兰在其别具风格的有关睡眠的惊悚片《盗梦空间》(“Inception ”)中给出了答案：我们两者皆是，既是蝴蝶，也是人。
In Christopher Nolan's stylish sleep thriller "Inception" he answers we're both — butterfly and man.
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