小说《爱的进程》（1986）、《一个善良女人的爱》（1988）和《逃离》（2004）则向我们展示了门罗作为伟大作家对看似陈旧的题材进行再创作的能力。
Books such as "The Progress of Love" (1986), "The Love of a Good Woman" (1988) and "Runaway" (2004) cemented Ms Munro's reputation as a writer capable of reinventing a seemingly tired form.
聚焦巴尔蒂斯绘画的两个方面：以具象的创作手法，以少女和风景作为题材，呈现出对画面东方精神的探索。
Focus on Balthus painting two aspects: the creation of the concrete approach to adolescent girls and landscapes as subject matter, showing a picture of the Oriental spirit of exploration.
她作为一个作家其观察力已超越了她的时代。萨冈的创作题材反映了她的时代。
Though her observations as a writer were beyond her years, Sagan's subject matter reflected her age.
将南社诗人作为一个群体来考察，从题材和风格两个方面论述南社诗群的共同创作风貌。
Nanshe poet, will be studied as a group, from both subject matter and style discussed in the joint creation of Nanshe poetry group style.
动画片是主要作为儿童观看的影视片，儿童文学作品对其兴盛有着巨大的推动作用，为其提供了大量的创作题材，儿童文学对动画片的创作有着启示作用。
Animation films are mainly films for children. The works of juvenile literature have greatly propelled the prosperity of animation films and have provided a lot of writing materials.
当作家选取某个大家族的没落作为他小说创作的题材的时候，他实际上是要演绎他对他那个社会的悲喜剧的思考。
When a writer chooses the decline of a certain big family as the topic of his fiction, he is actually pondering over the tragedies and comedies of the society.
本文通过对材料质感语言的深入研究，提出了动画材料作为动画本体语言视觉构成元素影响、限制创作题材的观点；
The author proposes the opinion that animation materials, as animation ontology language visual, compose component influence and limit the topics on creation.
从创作客体的民间化倾向来看，作为文学创作源泉的社会生活发生了翻天覆地的变化，作品的题材和主题就相应的产生了巨大的变革。
Seeing the folk tendency of creative object, the life changed greatly, which is the source of the creation, so the theme and subject matter changed accordingly.
作为一个西方人，她以前所未有的热情创作了大量以中国为题材的小说和文集，对于西方改变对中国和中国人的形象做出了突出的贡献。
As an occidental people, she created great amount of writings about China with high enthusiasm and changed western country's impression of China and Chinese extensively and effectively.
徐秀伶延续了古代的国王、皇后、皇室的妃子、龙、十种长寿的象征物、国王的书桌、梨花以及其它在皇室周围的人事物等等，作为她主要的创作题材。
Her main subjects was continued to treat king, his queens, the royal concubines, dragons, ten long life objects, king's study desk, pear flowers and etc. in their surroundings.
徐秀伶延续了古代的国王、皇后、皇室的妃子、龙、十种长寿的象征物、国王的书桌、梨花以及其它在皇室周围的人事物等等，作为她主要的创作题材。
Her main subjects was continued to treat king, his queens, the royal concubines, dragons, ten long life objects, king's study desk, pear flowers and etc. in their surroundings.
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