中国人物绘画由开始对印度佛教的交流、接纳、吸收，到后来消融并成为自己的艺术。
Figure painting in China from the beginning of the exchange of Buddhism in India, to accept, absorb, and then to melt and become their own art.
重点放在了绘画的精神特质和艺术家的能力，揭示了人与自然的内在和谐，自觉按照道教和佛教的概念。
Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts.
张大千艺术研究院秘书长研究员，从事佛教绘画创作20馀年，是当代中国重要的佛学画家和大风堂画派传承人。
Chang Art Institute of the Secretary-General, to engage in Buddhist painting more than 20 years, is an important contemporary Chinese Buddhist artist and Painting inheritors.
张大千艺术研究院秘书长研究员，从事佛教绘画创作20馀年，是当代中国重要的佛学画家和大风堂画派传承人。
Chang Art Institute of the Secretary-General, to engage in Buddhist painting more than 20 years, is an important contemporary Chinese Buddhist artist and Painting inheritors.
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