以笑的方式哭，在死亡的伴随下活着。——余华。
Way to cry with a smile, under the accompany of death alive.
之后，余华又于1992年与1995年写出了长篇小说《活着》和《许三观卖血记》充分地显示出余华新的小说创作风格的形成或成熟。
His novels after this, especially his 1992 Surviving and 1995 Stories of Xu Sanguan's Blood Sale, fully manifest the establishment and maturity of his new style.
主要论述了小说《活着》在余华的先锋创作之后的叙事转型特征与意义。
This article discusses the characteristic and the significance of the narrative conversion with Living in the process of Yuhua s writing after his pioneer experimentation.
余华的代表作《活着》，传达出强烈的人类生存悲剧意识与荒诞境遇，并且试图以道家式的“忘”来消解人类的生存悲剧。
Being Alive, his masterpiece, highlights the tragedy sense concerning human existence and grotesque fate, and attempts to defuse the tragedy by means of a Taoist solution: "to forget".
余华的中篇小说《活着》是当代文学史上一篇非常优秀的作品。
Yuhua's novelette Living is a piece of excellent works in the history of the contemporary literature.
这种观念的转变才是余华小说语言和叙事风格变化的根本原因。这也就能够很好地解释《活着》及其以后几部长篇小说风格的变化及水平高低的问题。
This shift is the main reason that leads to his change in language and narrative style, and it better explains the different levels and styles of his Being Alive and other following novels.
余华的《活着》，是一部真正关注人生苦难及苦难中生命个体生存意义的写实力作。
Yu Hua, is a good reality works showing much concern on the life difficulties and the existence significance of the living individual.
余华的《活着》，是一部真正关注人生苦难及苦难中生命个体生存意义的写实力作。
Yu Hua, is a good reality works showing much concern on the life difficulties and the existence significance of the living individual.
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