“似与不似”在现代山水画创作中的现实意义。
Sixth, "artistically depicted to be both real and unreal"Modern Landscape Painting in the practical significance.
在“似与不似”之间给人以“似人非神”的感受。
This ambiguity between likeness and unlikeness gives us a feeling of not being divine but human.
“似与不似”既是艺术的出发点又是艺术的归宿；
Fifth, "artistically depicted to be both real and unreal"is both starting point of art and the home of art;
中国画的写意造型，展示的是似与不似之间、寓意于象、以象尽意“心物统一”的意象。
What revealed in modeling of Chinese painting is an artistic result of a likeness in spirit rather than in appearance, embodying the meaning in images.
汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在“似与不似”之间广阔的空间的选择。
With the method of exaggeration, distortion, symbolic and decorative, Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing.
它的关键在于“似”与“不似”之间“度”的把握。
The key to it lies in the assurance of "degree" during "like" and "not like".
它的关键在于“似”与“不似”之间“度”的把握。
The key to it lies in the assurance of "degree" during "like" and "not like".
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