传统散文重在对客观世界的描摹和对读者的“教化”。
Traditionally, prose lays emphasis on the description of the objective world and didactical instructions.
较之于传统散文，九十年代思想散文的叙述人称更多样，叙述视角更丰富。
Compared with traditional prose, and essays of the 1990s described themselves more kind, described perspective richer.
他们的散文体式也随之从传统散文叙事模式中突围出来，有了全新的散文艺术生命形态。
Their style of prose had a breakthrough from the traditional mode of prose narration and had a new form of artistic life in prose writing.
它存在的意义是明显的，它使我们在模式化的传统散文之外，又获得了一种新的阅读方式。
The significance of its existence is apparent in that it has helped us to obtain a new reading mode beyond the stereotyped traditional prose.
在表现手法上，九十年代思想散文最突出的成就就是对传统散文的文本叙述方式进行了重大改变。
In performance practices, the most outstanding achievements of the 1990s and prose is prose version of the traditional way of describing a major change.
晚明小品突破传统散文“微言大义”模式，把主题引向人的日常生活，注重个体化的生活方式和精神方式。
They broke through the traditional prose's theme pattern----"sublime works with deep meaning". Their theme was led to daily life and paid attention to individual way of life and way of spirit.
《与往事干杯》有一种传统小说的结构，又有一种传统散文的结构；二者交错统一、融会贯通，呈示出一种不无深刻的人生哲理；
These are double structures existing in" A Toast with the Past" , one is of traditional novel, and the other of traditional prose.
臧克家散文的文化品位来源于他的语言品位、传统修养和人格精神。
The culture quality of Zang Kejia's prose came from his cultivation in language, tradition and humanism spirits.
文化品格是中国散文不可或缺的传统。
Cultural quality and style is an indispensable tradition of Chinese prose.
他编译的中国文学选集摘译并编选了中国几千年以来的经典著作，其中包括诗歌、散文、唐传奇、信件、中国传统文学理论和戏剧等。
In his anthology, representative Chinese classics from various genres, such as poetry, prose, T'ang tales, letters, traditional literary theories, and dramas are translated into English.
那些不欣赏散文传统的人认为它故弄玄虚，因为它毫无作用。
Those who do not appreciate the prose tradition find it mystifying because there is nothing functional about it.
移就辞格是修辞中的一个重要辞格，它被广泛运用于散文和诗歌中，传统的分析很少对它的心理基础和美学功能进行过关注。
Transferred Epithet is an important figures of speech. It is widely used in prose and poems. Traditional analyzing didn't concern about the psychological base and aesthetic meaning.
本文就现代创作理论和传统创作理论的契合，来论证散文创作的最佳心境。
This paper discusses the best mood for essay creation by combining modern theories of creation with traditional theories of creation.
周作人散文平和冲淡风格形成的原因和传统文学中平和冲淡风格形成的原因有质的不同。
There are qualitative differences between the causes of Zhou Zuoren proses gentle plain style and those of traditional literature.
冲淡美不但被我国传统美学所青睐，更是周作人散文的一个重要特色。
The plain aestheticism is not only favored by Chinese traditional aesthetics but also an important characteristic of Zhou Zuoren s prose.
教材中的古代山水散文大都描写山形水势、河流湖泊、林泉禽鸟，其中蕴含着丰厚的传统文化。
Most of the ancient mountains-rivers prose describe mountains and water, rivers and lakes , woods and birds in teaching material, which contains rich traditional culture.
动物散文大致可分现代意义、传统意义和寓言体三大类型。
Prose of animals can be grouped into three categories: that of modern implication, that of traditional implication and that of fable style.
虽然短文是古代流传下来的散文传统之一部份，但它也是非常现代且普遍的写作形式，在印刷媒体和网路上都看得到。
Though the essay is part of a tradition of prose which stretches back to antiquity, it is also a thoroughly modern and popular form of writing, found in print media and on the web.
现代意义和传统意义的动物散文主要特点是“兽形兽语”，而寓言体动物散文主要特点是“兽形人语”。
Both prose of modern implication and that of traditional implication are characterized by animals with animal language while that of fable style is featured by animals with human language.
散文诗从西方传入我国后，受传统文化的制约，未能彻底完成从传统向现代的转变。
After the prose poem was introduced from the west into our country, it has not changed completely from the tradition into modern form become of the restriction of traditional culture.
为了打破这一传统概念，我给这本叫做《生命之书》的散文集的设计中加入了工业设计的部分。
To break this traditional impression, I embed some industrial design elements in this prose florilegium which name is "book on life".
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
鲁迅散文诗集《野草》受日本传统美学思想影响，在植物审美观、无色自然观、“知物哀”方面建构了诗艺的空寂美，体现了诗人心灵境界“空性”、“无分别心”的层面。
It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects.
应用推荐