以及地域文化，传统建筑形式、色彩、材料在建筑单体设计中的运用。
We also talk about how to express regional culture with tradition architecture formation, color and materials in single building.
一座微缩村庄：远观可见传统建筑形式：近看则可领略到粗面砖组成的新颖肌理。
A micro-village with two different aspects:resembgng. from a distance, a traditional building style; and from closer, volumes in unfaced brick with an Innovative texture.
结构形式–巨大的井口建筑物从其下弯曲的大堂升起–灵感来自印度的传统建筑形式。
The structure's form – a grand head house rising above curving concourses below – is inspired by traditional Indian building forms.
扎根于印度本土，柯里亚的作品结合了现代主义思潮和传统建筑形式，重新定义了印度建筑的通用形式。
Rooted in India, Correa's work blended Modernity and traditional vernacular styles to form architecture with a universal appeal.
这个木棚架的设计也尝试在双弯曲的“平缓曲线”的一种形式，这在中国传统建筑—常常看到一个低技术和低成本的一个手段。
The design of the trellises also experimented on a double curved version of "flat curve" -a form often seen in traditional Chinese architecture - with a low-tech and low-cost method.
研究中国传统建筑可以借助于相关的艺术形式，如舞。
We can study the Chinese traditional architecture well by virtue of other arts, such as dance.
在传统建筑中，廊是一种半内半外的空间形式，它的曲折多变、高低错落，大大增加了游园的乐趣。
In traditional architecture, the gallery is a half inside and half outside space form, it twists and turns volatile, scattered high and low, greatly increasing the enjoyment of the garden.
本文从对称布局、群体组合、节奏韵律、对比和谐几个方面来论述中国传统建筑的形式美特征。
This article will discuss the formal characteristics of Chinese traditional architecture from such aspects as symmetry layout, group combination, rhythm cadence and contrast harmony.
屋脊兽是中国传统建筑艺术的重要组成部分，它以其特定的形式和深刻的内涵，成为地域文化、民族文化识别和认同的象征性符号。
As a part of traditional Chinese architecture, animal ornaments on house-ridges have become the symbol of the local and ethnic cultures and identities.
在设计上，建筑师运用了数字化建造方式的语言重新阐释了中国传统建筑的形式。
It is an interpretation of traditional Chinese architecture through the language of digital fabrication methods.
试图从理性的层面去分析、理解中国传统建筑的形式，提出了“线的构成”及“大量且深远的悬挑”等造型特征。
He tries to re-analysis and understand it on the more rational level, and summarizes several essential points of "the Chinese architecture form", which are different from other researchers.
试图从理性的层面去分析、理解中国传统建筑的形式，提出了“线的构成”及“大量且深远的悬挑”等造型特征。
He tries to re-analysis and understand it on the more rational level, and summarizes several essential points of "the Chinese architecture form", which are different from other researchers.
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