梅耶荷德的戏剧与东方戏剧，尤其是中国戏曲，有一种本质上的亲近，他的许多艺术思想和舞台观念与中国戏曲有异曲同工之处。
Meye-hold adopted oriental theatre, especially Chinese theatre tin his works and what is more is that many of his artistic ideas and stage concepts coincided with those in Chinese theatre.
从他早期在中国时，马奇就对中国京剧非常感兴趣，尤其是中国戏曲的著名演员梅兰芳。
From his earlier time in China, March was very interested in Chinese opera, and was especially fond of the famous actor Mei Lanfang.
他的产量很大，不到二十年累计近三十篇，包括小说，短小说集和诗集，戏曲还有文艺评论。
Her productivity since then has been prodigious, accumulating in less than two decades to nearly thirty titles, including novels, collections of short stories and verse, plays and literary criticism.
他在学术研究方面堪称著作等身，尤其以戏曲、小说的研究最为突出。
In academic research, he does as prominent as writing, particularly in the research of verse drama and novels.
他很有文学才华，写小说，也写戏曲。
Endowed with literary talent, he was good t writing novels and plays.
江根和是广东潮州人氏，终生从事剪纸工艺。他手下的戏曲人物夸张而充满韵律感。
From Chaozhou, Guangdong Province, he devoted his entire life to the the art of papercuts…The opera characters he cuts are exaggerated and their postures full of rhythm.
本文认为，吴祖光的话剧创作与中国传统戏曲艺术对他的影响密不可分。
The paper believes that Wu's modern drama creation is related to traditional Chinese opera art closely.
毕竟他创造了他自己的华人嘻哈曲风，把中国戏曲和西方饶舌作了结合。
After all, this is the guy who created his own chinked-out Chinese hip-hop style and combined Chinese opera with Western rap.
清代李渔本是戏曲理论家和作家，他对养生保健也很有研究，尤其注重心理情志养生。
LI Yu from the Qing Dynasty was opera theorist and writer. He also paid much attention to health care, especially to the regulation of the psychological and emotional state.
他由此充分肯定了作为“破道之小言”的戏曲享有与“经国之大业”同等的价值与地位。
And from these, he had fully affirmed the drama of "the slightly verse of telling truth" Shared the same value with the status of "great undertaking of manage a country".
戏曲里的插科打诨，他不只且看且笑，还几回再三搬演，笑得打跌。
Opera in the gag, he not only let me see and laugh, also repeatedly paraded, laughing or playing.
李渔的娱乐观众的戏曲创作与他对观众心理的研究也是分不开的。
Li Yus study in audience psychology is also indispensable to his success in entertaining audience.
王国维是中国近代戏曲史学的开拓者，他的戏曲观念影响很大。
Wang Guowei is the man who has opened up the modern historical science of the Chinese Traditional Opera.
本文认为这种独特的文体风格体现出了小说和戏曲这两种文体之间的交流，而赵树理之所以如此写作，是他有意识照顾农民群众感觉结构的表现。
The essays holds that such unique style signifies a communication between civilian opera and novel, and the reason why Zhao Shuli choose such style is his respect for the interest of peasant.
他创作的中国话剧结合了中国古代的傩戏、皮影、戏曲和说唱。
When he created a Chinese oral theatre, he adopted elements from ancient masked drama, shadow plays and the dancing, singing and drumming traditions.
在戏曲方面，他创办了《二十世纪大舞台》，提倡戏剧改良。
In the drama aspect, he organized "the 20th century Big Stage" the magazine, advocated that the play improved.
他的小说、戏曲藏书为研究提供了新资料，他的小说、戏曲批评理论研究拓宽了中国文学批评史研究的领域。
His collection of books provides new data for the research. His research on novels, critical theories of plays broadened the research scope of the history of Chinese literary criticism.
他的小说、戏曲藏书为研究提供了新资料，他的小说、戏曲批评理论研究拓宽了中国文学批评史研究的领域。
His collection of books provides new data for the research. His research on novels, critical theories of plays broadened the research scope of the history of Chinese literary criticism.
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