贝多芬的第九交响曲是壮丽的音乐篇章。
音乐受主音的影响,在贝多芬的第五交响曲中,我们还没有找到主音。
Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.
该管弦乐队演奏了莫扎特D大调第35交响曲。
立陶宛爱乐交响乐团演奏了贝多芬的《第九交响曲》。
The Lithuanian Philharmonic Orchestra played Beethoven's Ninth Symphony.
第五交响曲在贝多芬的其他许多音乐形式中使用。
The Fifth Symphony was used in many other music forms by Beethoven.
《葬礼进行曲》不是《英雄交响曲》的最后乐章,而是第二乐章,这并非偶然。
It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second.
格拉斯以摇滚音乐家大卫·鲍伊和布莱恩·伊诺的音乐为基础创作了两部交响曲,但这些交响曲的声音是他独特的。
Glass based two symphonies on music by rock musicians David Bowie and Brian Eno, but the symphonies' sound is distinctively his.
她强硬要控制文化方面的事业,喜欢贝多芬的第六交响曲,不喜欢雷斯庇基的《罗马的松树》。
She exerted an iron hold on the culture, preferring Beethoven's Sixth Symphony to his triumphalist Fifth, disliking Respighi's "Pines of Rome".
他曾帮助创作合唱交响曲。
我正在找贝多芬第六交响曲的唱片。
贝多芬的第五交响曲的走向是哪里呢?
What's the direction generally of Beethoven's Fifth Symphony?
这个交响曲是任何收藏都必须具备的。
事实上他当时已经写了两部交响曲了。
He had actually written a couple of symphonies by this time.
第四乐章有贝多芬第九交响曲的味道。
The fourth movement has a flavor of the final movement in Beethoven's 9th Symphony.
一个著名的例子就是莫扎特的G小调交响曲。
第四乐章的成功编曲是交响曲在绝对胜利中结束。
The triumphant orchestration inthe forth movement concludes the symphony in absolute victory.
巴伯第1交响曲(G大调)。
最后,但并非最不重要的,有贝多芬的第九交响曲。
它具有非常明显的建筑风格,被称为“石头交响曲”。
It has very distinctive architecture style and had been called "the symphony of stone".
所以我准备多花一点时间来说说田园交响曲。
So I'm spending a little extra time on the Pastoral Symphony here.
末乐章巧妙地结束了交响曲,使听众愉快而充实地回家。
The final movement expertly brings closure to the symphony and sends the audience home happy and content.
指挥用指挥棒作了一个夸张的动作,结束了这支交响曲。
The conductor ended the symphony with a great flourish of his baton.
第三和第四乐章给这一古典交响曲提供了一个愉快的结局。
The third and fourthmovements provide a delightful ending to this classical symphony.
这个交响曲对任何交响曲收藏都是一个大的补充。
This symphony isa great addition to any symphony collection.
这首乐章是贝多芬《第七号交响曲》中最受欢迎的。
This movement is the most popular of Beethoven's Symphony No. 7.
任何伟大的音乐家都不会将一首交响曲和一张印刷的乐谱相混淆。
No great musician confuses a symphony with the printed sheet of music.
第八:《第二乐章》,出自贝多芬的《第七号交响曲》。
他写道:“乐谱一摆上架,他就开始极其娴熟地演奏起交响曲了。”
"The score was no sooner put upon his desk, than he began to play the symphony in a most masterly manner," he wrote.
让我们现在来听一点贝多芬,他的第六交响曲,田园交响曲。
Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
让我们现在来听一点贝多芬,他的第六交响曲,田园交响曲。
Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
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