《噪音》与莱里恩的声音概念相联系，即产生动态的雕塑。作品非常简短、高度集中、是具有卓越技术的传媒作品，副标题为《主题与变奏》。
Conceptually linked to Len Lye's sound - generating kinetic sculptures, Noise is short, highly concentrated and superbly crafted multimedia work subtitled 'theme and variations'.
以中国民歌作为钢琴变奏曲主题的音乐作品，融合了民族音乐元素与西方作曲技法。
The music whose theme is piano variation with Chinese folk blends national music elements with western techniques of composition.
第一段从圆滑奏与断奏相互呼应的第一主题开始，然后变奏着反复。
The first Section begins from play slick and slily with staccato the first theme that echoes each other, then the variation is repeated.
而在《泰勒曼主题变奏与赋格》中，蕴含更多的则是一种装饰性，因此更接近巴洛克概念上的“变奏曲”。
The 'Telemann' Variations are much less chromatic, more decorative, and as a result are much closer to the Baroque concept of 'variation'.
而在《泰勒曼主题变奏与赋格》中，蕴含更多的则是一种装饰性，因此更接近巴洛克概念上的“变奏曲”。
The 'Telemann' Variations are much less chromatic, more decorative, and as a result are much closer to the Baroque concept of 'variation'.
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