“油画民族化”是中国现代美术史中的重要现象。
The nationalization of Chinese oil painting is an important phenomenon in the contemporary history of Chinese arts.
中国现代美术事业的奠基者，杰出的画家和美术教育家。
The founder of modern Chinese art career, outstanding artist and art educator.
揭示这种联系，才能认清丰子恺在中国现代美术史上的地位。
We could recognize the position of FENGZikai in the history of modern China arts…
揭示这种联系，才能认清丰子恺在中国现代美术史上的地位。
We could recognize the position of FENGZikai in the history of modern China arts only by bringing to lig…
揭示这种联系，才能认清丰子恺在中国现代美术史上的地位。
We could recognize the position of FENGZikai in the history of modern China arts only by bringing to light the relationship. His distinctive...
揭示这种联系，才能认清丰子恺在中国现代美术史上的地位。
We could recognize the position of FENGZikai in the history of modern China arts only by bringing to light the relationship. His disti…
中国现代美术教育，技术上较全面地形成了一种中西混合的体系。
Chinese modern art education has completely formed a kind of blending system of Chinese and West in technique.
仅仅在雕塑教学注重解剖、写实的这一方面，证明王克庆一代人，对中国现代美术教育体系同步协调的添砖加瓦。
Only the emphasis on analysis and realism of sculpture teaching can prove that the generation of Wang Keqing has coordinately and harmoniously made contribution to Chinese modern art education system.
《中国现代美术史》、《墙》等中国现代艺术专著发表了“BYY”原始档案，并对“BYY”的艺术活动作了评价。
Chinese art theory publications such as China Modern art History, Wall had issued BYY's original files and evaluated their art activities.
抗战时期的重庆木刻版画作为抗战时期重庆美术的重要组成部分，其显著的特征在中国现代美术史上谱写了重要的一页。
During the period, Chongqing's woodcut print, which was important component of arts, played important role in China's modern art history.
中国美术馆正在展出由彼得·路德维希和其妻子艾琳·路德维希捐赠的117件欧洲现代艺术品。
The China National Art Museum is displaying 117 pieces of European modern art donated by Peter Ludwig and his wife, Irene Ludwig.
现代六人联展，中国美术馆，北京。
在其短暂的一生中，致力于美术史研究与美术考古研究，成为中国现代文化转型时期一位不可忽视的中坚人物。
Though his life is short, yet he focuses his research on the art history and art archaeology and is one of the leading scholars in the transformation of modern Chinese culture.
刺绣是中国工艺美术品的传统形样式，随着时间的推移也在发生着现代转型。
Embroider is the traditional form of Chinese arts and crafts, and it transforms as time goes by.
我认为，在这种现代美术的思潮中，中国古代美术作品对寻找现代美术的新转折点具有很重要的价值。
I think the works of Chinese ancient art has very important value in finding a new turning point for the modern art, out of the modern art trends.
2005年中国画坛上59岁盍然而逝的著名画家陈逸飞就是一位典型的现代“大美术”家。陈逸飞曾以他的绘画闻名画坛。
Chen Yifei, 59-aged, known as the famous painter in China, who died in 2005, is one of the great "Big Arts".
作品先后被中国美术馆、成都现代艺术馆、中国上海城市雕塑中心、厦门艺术中心等地收藏。
His works have been collected at National Art Museum of China (NAMOC), Modern Art Gallery of Chengdu, Shanghai Municipal Sculpture Center of China, and the Art Center of Xiamen.
画册《中国现代艺术品评丛书许江》由广西美术出版社出版发行；
Chinese Modern Art Collection: Xu Jiang published by the Guangxi Fine Arts Publishing House;
现代中国画风景的油画家不算少，但能在美术史上产生持续影响的大家和大作还是不多。
Many oil painters focus on modern Chinese landscape, however rare of them and the works have continuous influence on fine arts.
根植于中国传统文化的民间美术，其独具特色的赋色体系应用于现代招贴设计中，将具有十分重要的现实意义与应用价值。
Thus, the research on the application of folk colours to the designs for modern posters has important practical significance and applicable value.
重开国门而负笈欧美的许多中国美术学子，不免在已进入后现代社会的艺术语境中迷失路途。
Many Chinese art students, studying in Europe and the United States, felt utterly confused and lost in the art context of the post-modern society.
中央工艺美术学院是80年代初中国现代艺术的重镇之一(另一重镇是浙江美术学院)，这样的学术环境让张立国如鱼得水。
Central Academy of art and Design was one of the important bases of modern art in China in the 1980s (the other is Zhejiang art Academy), the academic environment was pleasant for Zhang Liguo.
作品《妻子的肖像》参加中国美术馆“现代油画展”并被中国美术馆收藏。
Portrait of Wife, in the Contemporary Oil Painting Exhibition at the National Museum of Fine Arts, Beijing, collected by the National Museum.
《世纪的转折：二十世纪中国艺术中的传统与现代性》图版42，古根海姆美术馆，1998年。
Century in Crisis: Mordernity and Tradition in the Art of Twentieth-Century China, pl. 42, Guggenheim Museum Publications, New York, 1998.
《世纪的转折：二十世纪中国艺术中的传统与现代性》图版42，古根海姆美术馆，1998年。
Century in Crisis: Mordernity and Tradition in the Art of Twentieth-Century China, pl. 42, Guggenheim Museum Publications, New York, 1998.
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