自然审美是中国古代美学的核心。
自然审美是中国古代美学的核心。
审美意识是研究中国古代美学的切入点。
A study of aesthetic consciousness is a starting point of ancient Chinese aesthetics.
西方现代美学与中国传统美学有惊人的相似之处，追寻一种非概念的、超理性的智慧和人生境界一直是中国古代美学的重要特征之一。
Modern Western aesthetics is surprisingly similar to traditional Chinese aesthetics with non-conceptual, supra-rational wisdom and state of life characterizing the latter.
在中国古代画论里就有许多美学观点值得我们在现代设计中去探索，而且已得到了很好的运用。
Quite a lot of viewpoints of China's ancient aesthetic values worth exploring in modern design and they have been properly adopted.
中国古代美学与当代西方美学并不是完全对立的。
Aesthetics in ancient China is not completely antagonistic to contemporary aesthetics in the West.
这不仅是孔门儒家，也是中国古代服饰美学思想目的论的核心内涵。
Atahis isn't only the Confucianism but also the nuclear connotation of the Chinese archaic finery aesthetics teleology.
西方现代哲学、美学发生了由主体性到主体间性的转向，而中国古代哲学、美学本来就是主体间性的。
In modern Western philosophy and aesthetics subjectivity is gradually turning to intersubjectivity. In ancient China philosophy and aesthetics were originally intersubjective.
并希望这一研究能对深入认识中国古代美学与哲学的关系问题具有一定的价值和意义。
We hope that the research will be certain value and significance in how to treat the relations between Chinese ancient aesthetics and philosophy.
中国古代山水诗由此也就表达出一个“追忆”主题，表现出一种荒野的美学。
The Chinese ancient nature poetry thus expresses a "recall" theme also, and show the wilderness aesthetics characteristics.
含蓄美是中国古代诗歌的美学追求，历来为诗歌创作者和诗评者所重视。
Implicit art is the primary aesthetic pursuit in the history of ancient Chineae poetry.
主情思潮音乐思想，是中国古代音乐史上最为合理的音乐美学思想。
Emotionalism music is considered as the most reasonable musical aesthetics in Chinese ancient history of music.
中国古代书画家在艺术创作过程中，形成了独特的美学观念和美学体系。
During the course of art creating, ancient scribe and painter of China formed unique aesthetic conception and aesthetic system.
在中国古代美学范畴中虽没有“象征”一词，但这并不能说明中国古代文学当中没有象征性的文学理论。
There wasn't the word of "symbol" in esthetics category of Ancient China, but it could not explain there weren't symbolic literature theory in Chinese ancient literature.
朴素作为一种艺术风格或审美趣味，在中国古代美学史上具有特殊的意义。
As an artistic style or an aesthetic interest, simplicity has its special meaning in the ancient Chinese aesthetics.
“意境”是中国古代文论和美学研究中的关键性问题。
Yijing"is the crux point, on which the study of chinese ancient literary and aesthetic compositions."
植根于中国古代传统文化丰富而独特土壤之中的中国古代美学是一种具有独特品格和思想体系的人生美学。
Chinese ancient aesthetics, rooted in the special soil of the ancient traditional culture, is a life aesthetics with its own characteristics and ideology.
以审美文化为研究切入点可以摆脱中国古代美学研究中道器分流的现状。
Through the study of the aesthetic culture, we can get rid off the bifurcation between Dao and Qi in the study of classical aesthetic culture of China.
利用符号学以及符号学美学的方法来系统地剖析中国古代书籍装帧艺术，可以发现书籍装帧艺术是一套典型的符号系统。
Analyzing traditional Chinese book design art by semiotics and semiotic aesthetics, we come to the conclusion that the book design art language is a typical sign system.
“气”是中国文化中一个重要的概念，具有深刻的哲学和美学含义，在中国古代文论中占据非常重要的地位。
"Qi" is an important concept in Chinese culture, which contains profound philosophical and aesthetic implications and has very important position in Chinese ancient theory of literature and arts.
中国的艺术哲学产生于魏晋时期，《文心雕龙》完成了中国古代美学体系的建构。
Chinese philosophy of art had emerged in Wei and Jin period, the best -known work "Carving a Dragon at the Core of literature" had completed construction of ancient aesthetics system of China.
从中国古代哲学“虚与实”的视角分析了中国文士园林的美学特征；
This article analyzes the aesthetic characteristics of Chinese classical literati garden from the viewpoint of "Entity and Emptiness"in Chinese traditional philosophy.
中国古代绘画美学源远流长，在理论和实践两方面都有重要的价值。
There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.
中国古代意象论是中国古代文论和美学理论的基本范畴。
The ancient Chinese "imagery" is a basic category in ancient Chinese critical theory and aesthetics.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
早在《易经》中就提出了“天人合一”的美学思想，这些理念在中国古代城市得到了深刻的体现。
In the "Book of Changes" on the proposed "Harmony" Aesthetic Ideology. These ideas in the ancient Chinese city has been profoundly reflected.
经历了发端、发展到成熟的过程，到了明、清两代，中国古代书法美学思想必然地进入了守成期。
After passing through the phases of inchoation and development, the ancient history of calligraphy esthetics in China reached maturity in Ming and Qing Dynasty.
诗与画的关系是中国古代艺术美学中一个重要的理论和实践问题。
The relation between poem and painting is an important theories and practice problems in the Chinese ancient art esthetics.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
应用推荐