中国传统文人画与中国古典园林是我国传统艺术的精华。
Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art.
和中国传统文人画的创作方法一样，外师造化，中得心源。
It's the same with the Chinese tradition painting's creation method, outside teacher good fortune, heart source.
中国传统文人画多用此法，这得益于书法美学的早熟，古代文献多有记载。
The Chinese traditional literati paintings always use this method, which benefits from the precocity of the aesthetics of calligraphy.
研究中国文化的魏晋传统，对认识中国传统文人的人格精神具有重要的价值。
To research the character of Chinese literary scholars in the Wei and Jin dynasties will be conducive to the understanding of personality spirit of traditional Chinese literary scholars.
剖析“神韵”说背后的生命意蕴，就是对中国传统文人生命认知与感悟的再认识。
To analysis the life connotation behind "Shenyun" is the re-cognition to Chinas traditional scholars life cognition and understanding.
诗书画三位一体是中国传统文人的身份识别符码，诗书画三绝也就成为评定文人画的标准。
Poetry is a traditional Chinese literati painting Trinity identification codes, and poetry painting Ruin has become the standard assessment of literati painting.
并在上述过程中，展现出寄寓了中国传统文人式的人文关怀与诗性自由精神的内在人格气质。
And in the course of the show the traditional Chinese poet of the Humane Care and poetic free spirit of the inherent personality temperament.
中国传统文人接受禅宗思想启发，对恬淡静谧、与自然融合而又跃动着生命灵性的美感偏爱有加。
What is more, because of the enlightenment from Dhyana's thought, traditional Chinese writers tend to cherish a kind of aesthetic feeling harmonious with nature and full of intelligence.
范烟桥具有明显的中国传统文人的特征，但是，范烟桥又是与现代世俗社会密切相关的传统文人。
Fan Yanqiao has obvious characteristic of Chinese traditional scholar, but at the same time, he is a traditional scholar closely connected with modern temporal society.
他把工笔与写意结合起来，把中国传统画法与西洋画法结合起来，把文人画与民间绘画结合起来。
His painting style combined fine brushwork with freehand brushwork, traditional Chinese skills with Western skills, and the work of the Chinese literati with folk paintings.
在宋元文人写意画勃兴前，工笔画是中国传统绘画的主要表现形态。
Prior to the rise of the Song and Yuan Dynasty, free style painting, fine brush painting is the main presentation technique of the traditional Chinese paintings.
与中国传统的文人雅士相同，曾梵志作品的外表并非科学观察的真实世界写照，而是个人性情与诗意的表现。
Like classical Chinese literati painters before him, Zeng's exteriors are not descriptive renderings of a world scientifically observed, but a manifestation of a personal, poetic disposition.
中国传统社会的文人旅游，既是社会史研究的重要内容之一，也是旅游史、旅游文化研究不可或缺的一部分。
The literators' travels in traditional Chinese society are not only an important subject in social history study, but also an inseparable part of tourism culture study.
中国绘画和语言有着不解之缘，尤其是被视为中国传统绘画主体的文人画，在内容和形式上均体现了语言和图像的结合。
The ancient Chinese painting innately bears a tight relationship with Chinese language, which is prominently represented in contents as well as in forms in the literati paintings.
中国绘画和语言有着不解之缘，尤其是被视为中国传统绘画主体的文人画，在内容和形式上均体现了语言和图像的结合。
The ancient Chinese painting innately bears a tight relationship with Chinese language, which is prominently represented in contents as well as in forms in the literati paintings.
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