首先，本文研究了世界图式和文本图式间的联系。
Firstly, the paper finds out the relationship of world schema and text schema.
从图式理论的角度看，幽默的解读是图式构建及对比的认知过程，其中包括世界图式和文本图式。
From a schematic point of view, humor interpretation is a cognitive process of schemata establishment and contrast in terms of both the world schema and the text schema.
在一个理想的时尚和艺术世界里，品位的守门人根据柏拉图式的美学标准冷静地评估眼前的作品。
In an idealized view of the fashion and art world, the gatekeepers of taste coolly evaluate the work they see according to Platonic criteria.
柏拉图的观点是，如果我们对形而上学有充分的研究，就必能看到柏拉图式的，理念或是型相组成的世界。
Plato's idea is that if we start doing enough metaphysics, we can see there must be this realm of Platonic ideas, Platonic forms.
这个世界就这样不断的左右摇摆,这是种柏拉图式的表达,型相间的来回摇摆
The world is constantly rolling-- this is a Platonic expression-- rolling between one form and the other.
本文试图揭示在人体隐喻中的几种不同的意象图式，来分析意象图式结构在人们通过对自身的认识来认识世界过程中的重要地位。
The paper tries to reveal some different image schemas in the body metaphor to analyze the important status of image schemas during the process of people's knowing the world.
恰恰相反的是，你的摄影作品扰乱了我们，将我们带入了一种插图式的世界，重新组合了想象中的真实，延续其本身的逻辑空间。
On the contrary, your photographs destabilise us and take us into a pictorial world, reconstituting an imaginary reality, with its own coherent logic.
意象图式是人们认识世界以及客观事物的一个重要方法，是人们初始的认知结构。
Image schema is an important way of knowing the world and the physical objects, and it is also man's initial Cognitive structure.
当我们询问与探索事物之本质时，发现了这个全息的多维图式，这些图式逐渐成为了我们解释世界、解释自我的艺术手段。
When asking for the essence with researchthings, we find that this multi-dimension picture has gradually become theartist method for us to explain the world and ourselves.
早期维特根斯坦将语言意义约束在世界中，其有无表达为作图式语言(非镜式语言)的能力与无能。
Early Wittgenstein holds that in the world lies the sense of language, obtain or absence of which depends on the ability of a pictorial (not mirror-like) language.
这些一般的符号形式在世界各国的绘画中也普遍存在，但最后形成的图式却风格迥异。
These general symbolic form of painting around the world are also common, but the final form of the schema are different styles.
12绘图式的百叶窗-通常是准备晚上，而且，在这里，传统的绘画窗帘在房间里死的人的谎言，作为一个符号，作为世界的尊重。the coming of night is like the drawing down of blinds。夜晚的到来就像是取用百叶窗。
12 drawing-down of blinds - normally a preparation for night, but also, here, the tradition of drawing the blinds in a room where a dead person lies, as a sign to the world and as a mark of respect.
柏拉图式的爱情，在现实世界里到底可能吗？
柏拉图式的爱情，在现实世界里到底可能吗？
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