音乐声学是研究乐音和乐律的物理问题的科学。对乐器和人的发音原理的研究是从激励器、共鸣器、辐射器三大部件来入手,以求得最高的发音效率和优美的音色。简单的响器,其激励、共鸣、辐射合为一体,如锣;电子合成乐器则用电路来模仿激励器和共鸣器,辐射器就是扬声器。
The third section investigated scientific theory of Chime Stone, such as musical acoustics, Mechanics, mathematics and melody, which played the guiding role of manufacturing process.
第三部分,探究当时磬类乐器中体现出的音乐声学、力学、数学等科学理论,并阐明其对制磬技术的指导作用。
参考来源 - 山西出土先秦时期磬类乐器中的科学技术研究·2,447,543篇论文数据,部分数据来源于NoteExpress
音乐声学是音乐与物理两学科交叉的产物。
Acoustics is an overlapping discipline of music and physics.
将音乐声学与环境声学相联系,提出了“空间音乐声学”的概念。
It also put forward a new concept of music acoustics of space; witch is the mixture of music and environmental acoustics.
So there are a lot of acoustical things and sort of tricks of synthetic things going on in pop music.
所以在流行音乐中有很多声学的东西以及合成的技巧在里面。
So Musorgsky knew this law of acoustics because he was a professional musician and was playing off of it to create this rather unusual and remarkable musical sound-scape here.
穆索尔斯基明白这个声学规律,因为他是位专业的音乐家,他通过制造这非凡卓越的音乐场景,表达了这个规律
French horn, yeah,but notice that if we take this aggregate-- and we're back to that same idea of the octave,the fifth,the fourth and the third, sort of,so it's again sort of primordial, this particular acoustical basis of so much of music.
法国号,对,但是注意,从总体的角度来看-,我们又回到了八度的概念,第五,第四,第三,大概是这样,所以这依然是是很基础的形式,许许多多音乐都是以这一种形式为声学基础的。
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