甚至还有一部关于他的电影，就叫《青蜂侠》。
总的来说，青蜂侠不怎么令人讨厌，只是没有什么水分。 它充分证明了超级英雄系列电影，至少在现在，是追逐超额利润的流行文化的产物。
“The Green Hornet” is not terrible, just pointless, and it offers further proof that superheroism is, at least for now, pretty well tapped out as a vein of lucrative pop-cultural bounty.
《青蜂侠》说明不仅电影与电影之间的平衡被打破，电影自身的平衡也被打破。
The Green Hornet suggests that the balance may have been upset not only between movies, but within them as well.
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